We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter addresses one of Mailer’s most notable literary influences, Ernest Hemingway. Mailer wrestled with the looming influence of Hemingway to such an extent that the relationship merits its own focused study. When it was first published, The Naked and the Dead invited immediate comparisons to Hemingway, which had much to do with the two authors similar thematic concerns. For years, Mailer alternately fought against and embraced these comparisons, wrestling with Hemingway’s influence, writing about him on more than one occasion (in pieces such as 1956’s “Nomination of Ernest Hemingway for President” and 1963’s “Punching Papa” among others), and writing an unanswered letter to him as well.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.