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3 results

  • Introduction

  • René van Woudenberg, Vrije Universiteit, Amsterdam
  • Book:
    The Epistemology of Reading and Interpretation
    Published online:
    03 September 2021
    Print publication:
    16 September 2021, pp 1-14

  • Summary

    The introduction explains the aims of the book, its timeliness, and its relevance, and it specifies a number of commitments that I work with: a true-belief view of knowledge, a realist conception of truth, justification as truth aiming, and the notion that writing is acting. It is explained that the book’s scope is wide in that it treats the epistemology of reading texts across literary genres, while it is at the same time exclusively focused on the interpretation of texts.

  • 24 - Linguistic anthropology and critical theory

  • from Part V - Interdisciplinary perspectives
  • Edited by N. J. Enfield, Paul Kockelman, Yale University, Connecticut, Jack Sidnell, University of Toronto
  • Book:
    The Cambridge Handbook of Linguistic Anthropology
    Published online:
    05 October 2014
    Print publication:
    11 September 2014, pp 603-625

  • Summary

    Speech-act theory's view of speech as social action at first inspired linguistic anthropologists, but later became a foil for defining their own approach to language. In subsequent decades the study of the poetic function was extended to a wider range of discursive practices, including forms of face-to-face conversation. Tannen was among the first to study systematically poetic performativity in conversational encounters. A recent attempt to address the performativity problem can be found in the stance literature. The poetic function involves a species of performativity that operates by means of emergent likenesses and differences among chunks of text. Verbal taboos appear as the apotheosis of a folk analysis of performativity wherein the pragmatic efficacy of discourse is felt to be localized in words and expressions. The indefeasibility of verbal taboos thus contrasts with the greater defeasibility of explicit performatives.