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Chapter two explores how we might develop a vocabulary for describing the appearance and effect of visual music by examining red-figure vases that depict Apollo simultaneously playing his lyre and pouring a libation. This synchronicity between the god’s two actions, one musical and the other ritual, demonstrates that his movements are rhythmic in a similar way to, or are even conditioned by, the sounds of his music, so that the images draw an implicit connection between divine music, rhythm, and ritual. Laferrière argues that the slow music that Apollo creates with one hand establishes a visual rhythm and musical pattern that are derived from the god’s body as well as the forms of the musical and ritual objects that he holds. For the ancient viewer, each image acts as an invitation to engage with its visualized musical rhythm, to hear imaginatively the sounds of the god’s music. In this interplay between visual image and imagined sound, and in one’s own participation in animating the god’s ritual, the viewer could experience the presence of Apollo in a moment of coordinated musical rhythm and harmony.
In this book, Catherine E. Pratt explores how oil and wine became increasingly entangled in Greek culture, from the Late Bronze Age to the Archaic period. Using ceramic, architectural, and archaeobotanical data, she argues that Bronze Age exchange practices initiated a strong network of dependency between oil and wine production, and the people who produced, exchanged, and used them. After the palatial collapse, these prehistoric connections intensified during the Iron Age and evolved into the large-scale industries of the Classical period. Pratt argues that oil and wine in pre-Classical Greece should be considered 'cultural commodities', products that become indispensable for proper social and economic exchanges well beyond economic advantage. Offering a detailed diachronic account of the changing roles of surplus oil and wine in the economies of pre-classical Greek societies, her book contributes to a broader understanding of the complex interconnections between agriculture, commerce, and culture in the ancient Mediterranean.
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