To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter juxtaposes Palmyrene funerary portraiture with the portraiture of Egypt and Pannonia in the first three centuries AD to discern stylistic connections between the provincial centres as well as to the portraiture produced in Rome. Due to its inherently subjective (and hence, flawed) nature, the notion of style as an interpretative framework has fallen by the wayside in archaeology and art history. This chapter will return to the concept of style and evaluate its helpfulness in determining the significance of Palmyrene funerary portraiture in the context of Roman provincial portraiture. Is it appropriate to describe Palmyrene portraiture as ‘Roman’ in style, or perhaps, ‘eastern Mediterranean’, and at what point does it become ‘Palmyrene’? A better understanding of the place of this portraiture in terms of style, not only in antiquity but also in contemporary analyses of funerary portraiture in the Roman world, enhances our ability to interpret its significance at the local level.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.