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1 results

  • 8 - Artists and patrons

  • from PART I - GENERAL THEMES
  • Edited by Timothy Reuter, University of Southampton
  • Book:
    The New Cambridge Medieval History
    Published online:
    28 March 2008
    Print publication:
    13 March 2000, pp 212-230

  • Summary

    One church of novel character which can still be seen is that of St Martin de Canigou, dating from the earliest years of the eleventh century, and built under the patronage of Count Wifred of Cerdaña. The Pyrenees, as Puig y Cadafalch long ago showed, was an important region for the early development of Romanesque styles. As patrons of art Archbishop Egbert and Abbess Matilda may have had at least one point in common, desire to bolster a vulnerable authority. The finest French book art of the tenth and early eleventh centuries drew its inspiration first and foremost from Carolingian and pre-Carolingian traditions of that region. This chapter shows how Ottonian book-illumination began, after the long hiatus from the late ninth century to the 960s, generally presumed to be caused by external threats and unsteady politics. The greatest book painter of the early period of Ottonian artistic efflorescence was the Gregory Master.