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  • 13 - Decolonizing the Poem

  • from Part III - The Poem in the World
  • Edited by Sean Pryor, University of New South Wales, Sydney
  • Book:
    The Cambridge Companion to the Poem
    Published online:
    30 May 2024
    Print publication:
    06 June 2024, pp 213-229

  • Summary

    This chapter approaches the concept of the poem through the recitation of oral praise poetry in interpersonal exchanges and in an increasingly textual world. Blending literary history, textual analysis, and autoethnography, the chapter illuminates a decolonial approach to the poem, shifting from an emphasis on the individually authored work to the value of shared practice. Through a close analysis of nhetembo dzemadzinza, a genre of oral clan praise poetry central to Shona-speaking people in Zimbabwe and its environs, the chapter considers the function of poems in rites of passage, affirmations of kinship, and erotic exchanges, while also affirming the interpretive acumen of collectives rather than individuals. The chapter then addresses the reimagination of nhetembo by poets who, living in the diaspora, seek nevertheless to claim a nonhierarchical, decolonializing set of social relations.