This chapter is a reading of the first rock-water episode (Exodus 17). It navigates through three layers of literary stratigraphy – evident in shifting emotional responses, character roles, and settings – in order to uncover a version of the episode in which Moses plays the role of a king held to account by his people for ensuring their survivial in a crisis. This version does not stand on its own but is part of a version of the exodus narrative modeled on the Sargon birth legend. The character of Moses develops through a series of acts of striking, as he realizes his destiny as one who draws (water), expressed in his name. Like its Assyrian model, this narrative is a work of political allegory. It relates to Hezekiah’s abandonment of Egyptian ties as the Assyrians threaten siege of Jerusalem and may have played a role in negotiating Judah’s continued independence. The exodus story thus does not originate in the northern kingdom of Israel, as is usually thought, but is is implicated in a decidedly Judean situation.

Relations with Assyria dominated from the tenth to the late seventh century. Marduk’s reputation was tarnished as Babylon lost power. Tribes of Chaldeans and Arameans moved into the Sealand, where some settled, becoming literate and powerful. Iron gradually replaced bronze. Fine stone carving continued. Warlike Assyrian kings venerated Babylon, incorporated its gods into their pantheon, and treated the city separately from the rest of Babylonia; but Assyria and Babylon clashed east of the Tigris at Der. Chaldeans intermittently took the throne. Tiglath-pileser III, the first Assyrian king to become king of Babylon, took part in the New Year festival; Sargon II, the second, deposed a Chaldean and deported many disloyal groups, but invested in the city. When Sennacherib ruled Assyria, various rulers of Babylon and interference from Elam ended when he sacked Babylon, which remained kingless for seven years. His patricidal son Esarhaddon made some restitution. At his early death, Esarhaddon’s elder son took the throne, dominated by his younger son, Ashurbanipal, whose library at Nineveh included many Babylonian texts. Betrayed by his brother under Elamite influence, Ashurbanipal sacked Babylon. Royal records end, and three subsequent kings are poorly attested. Nabopolassar, a Babylonian general working in the Assyrian army, defected and took the throne of Babylon.

This chapter argues that a motif in the mythological prologue to the Hurro-Hittite Song of Emergence, according to which the early divine rulers Anu and Kumarbi are each said to have served as cup-bearer to the previous ruler before taking power, is likely to derive from older Mesopotamian legends revolving around the historical king Sargon of Akkad. While the Song of Emergence adapts the Sargonic motif to a narrative on the earliest divine kings, the same motif later emerges in connection with a human ruler, Cyrus the Great, in Persian legends that were known to the Greek writer Ctesias; Herodotus avoided the motif in his account of Cyrus, perhaps because he appears to have adopted it at an earlier point of the Histories, in the Lydian tale of Candaules and Gyges. In all instances the motif of the cup-bearer served to explain the emergence of a powerful human or divine dynasty seemingly from nowhere, but with much scope for local adaption.

Warfare and violence were central to the identity and experience of early states in the ancient Near East. This chapter focuses on the earliest historical records documenting the rise of kingdoms in early Mesopotamia and their relationship with violence and warfare. It argues that a rhetoric of state-sponsored violence developed in Mesopotamia that guided countless generations of behaviour. The only violence that was legitimate was state sponsored and divinely sanctioned. Kings promised to banish violence at home, except when performed under their auspices, and they pledged to bring the outside world to battle in a muscular extension of power over that world. The chapter is divided into three basic parts: first it introduces a series of related topics about how violence and warfare were imagined and understood in early Mesopotamia; second, it discusses violence in its early historical context by examining cycles of violence related to the growth of the state; and finally it will briefly examine the later development of these kingdoms of violence and the royal rhetoric that accompanied their creation and expansion.