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Detailed examination of two building projects associated with Pope John VII (705–7); his funerary chapel in Old Saint Peter’s and the redecoration of the church of Santa Maria Antiqua. Prime attention is given to the cultural background of the decorations and the media employed.
Examines the murals in the best-preserved chapel in S anta Maria Antiqua, dating from the time of Pope Zacharias (741–52) and dedicated to Saints Quiricus and Julitta. The chapel is important as being the first early medieval example of lay patronage in Rome, and the focus of discussion is the donor, Theodotus, named in the painted inscriptions and depicted with other members of his family, a former military commander who switched to papal service and also played a major role in the development of the ‘idiaconiae’ (welfare stations). A case is presented for the hellenophone origins of the family, our best documented example of Rome’s new landowning élite.
Examines the explosion of building activity and patronage associated with Pope Hadrian I (772–95), who sees off the final Lombard threat and forges a strong alliance with Charlemagne. Churches such as Santa Maria in Cosmedin, Santa Maria Antiqua (where his portrait was included), and Sant’ Adriano are examined for what their decorations reveal about the continuity of ‘Byzantine’ cultural influence and practice. Attention is then given to his repairs to Rome’s walls and water supply. The exceptional wealth of the papacy in this era permitted an unprecedented degree of generosity in terms of gifts of precious materials to the city’s churches (silk textiles, gold and silver metalwork, marble furnishings).
Examines the patronage of Pope Paul I (757–67) at three of his principal projects: the construction of San Silvestro in Capite (a monastery he founded in his family home), Santa Maria Antiqua (substantially redecorated), and Saint Peter’s (where he created new chapels). These offer new insights into the culture and concerns of a pope whose Liber pontificalis biography is among the shortest. Also examined is the phenomenon of translating the relics of saints from the extramural catacombs to churches within the city walls, a practice which Paul initiates on a significan scale.
This book addresses a critical era in the history of the city of Rome, the eighth century CE. This was the moment when the bishops of Rome assumed political and administrative responsibility for the city's infrastructure and the physical welfare of its inhabitants, in the process creating the papal state that still survives today. John Osborne approaches this using the primary lens of 'material culture' (buildings and their decorations, both surviving and known from documents and/or archaeology), while at the same time incorporating extensive information drawn from written sources. Whereas written texts are comparatively few in number, recent decades have witnessed an explosion in new archaeological discoveries and excavations, and these provide a much fuller picture of cultural life in the city. This methodological approach of using buildings and objects as historical documents is embodied in the phrase 'history in art'.
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