We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter investigates the formal and generic experimentation of four late poems that rework the concerns of the Lyrical Ballads for the new contexts – public and private – of the late 1820s, 1830s and 1840s. Several intertwined themes run through my discussion: Wordsworth’s efforts to set his new poems in a circle of writers and readers, substituting for the old Grasmere circle but more socially conventional; his critical response to the tales and romances of Scott and Hemans; his renewed interest in people, especially women, who, by virtue of dwelling at or beyond society’s borders, communicate with or embody the world of death, and the feminism of this interest and the limitations of this feminism.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.