We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter focuses on Kerouac’s epic “Duluoz Legend,” a series of autobiographical books that form the core of his oeuvre. These books include seminal works such as On the Road, Visions of Cody, and The Dharma Bums, and although such books can be read outside the context of the Duluoz Legend, Kerouac saw them as pieces of “one enormous comedy.” This chapter focuses on the Duluoz Legend as a whole, exploring: 1) how the idea of writing a series of autobiographical books “on the run” occurred to Kerouac; 2) how the books comprising the Legend are related; 3) the different literary models for the Legend, with particular attention to the example of Marcel Proust’s Remembrance of Things Past; 5) the various prose styles in the Legend; and 6) how to read the Legend as a record of both Kerouac’s evolving consciousness and the events of his life.
This chapter examines Kerouac’s Buddhism and is informed by archival research of his unpublished Buddhist writing, which in provides a more complete understanding of Kerouac’s Buddhism than what can be learned from his published works. A detailed analysis of his published and unpublished writing reveals that Kerouac’s Buddhist period should be separated into an Early Buddhist Period (1953–58) and a Later Buddhist Period (1959–mid-1960s). Kerouac’s Early Buddhist Period is one of intense study and practice. And while his enthusiasm for the religion certainly decreased from 1959 to his death in 1969, it is inaccurate to state that he did not study Buddhism after 1958, as revealed by his unpublished diaries. Thus, 1959 through to 1967 should be identified as his Later Buddhist Period during which he continued his textual study, occasional meditation practice, and reworking of Buddhist texts. Additionally, this chapter argues that Kerouac believed himself to be a transmitter of Buddhism for Americans and that the Buddhism he believed helped his own suffering – and was, by extension, most useful for American practitioners – was largely rooted in the Diamond Sūtra (Vajracchedikā Prajñāpāramitā Sūtra) and in key Mahāyāna ideas.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.