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The Conclusion to the work summarizes the new perspectives on Zhou ritual that emerge from this analysis. Western Zhou royal ritual, it argues, offers a case study of how ritual continues to shape ideas of self and belonging long after its performance. The book thus stands as an argument for the indispensable role of material-cultural theory in ritual studies.
The Introduction to the work outlines the history of the study of Western Zhou royal ritual, describing its role in early Chinese and early imperial governance and noting how it came to dominate the historical memory of the Western Zhou period. It then explains the book’s commitment to describe Western Zhou royal ritual from a historically embedded perspective, relying on sources contemporary to the rituals themselves.It explains the advantages and pitfalls of working with bronze inscriptions – the bulk of these sources – and presents a methodological framework for understanding inscriptions through the modern frames of actor-network theory and ritual studies.
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