Further investigation of the foundation traditions of Metapontium, focusing on the persistence of much more ancient Indo-European mythic traditions and time-reckoning traditions and the presence of those elements in the bricolage that constitutes the Aeolian mythic system of Metapontium foundation narratives and their relationship to Anatolian Aeolian tradition.

This chapter deals with the main issues bearing upon Clitarchus and his work, moving beyond the usual division between Testimonia and Fragmenta and giving attention to the context and the agenda of each writer that mentioned him. Attention is given to his popularity as an Alexander historian and as a fine writer, as well as to the real significance of the narrative material attributed to him. This evidence can be combined with his few known biographical details in the evaluation of his chronology, which remains uncertain. The last two sections, dealing with his chronology and with the presentation of Alexander in his work, end with a question mark and invite the reader’s own reflections.

This chapter investigates the peculiar human habit of attributing political qualities to honeybees. It shows that by distinguishing a ‘queen bee’ from ‘workers’ we continue a tradition that has its roots in classical antiquity and in Aristotle’s inclusion of honeybees among the zōa politika (the ‘political animals’). The chapter asks why honeybees ‘need’ politics and why human politics ‘needs’ honeybees. The answer to these questions in the context of the ancient world shows what is at stake in current attempts to draw lines between humans and other social animals. The chapter shows that for the purpose of theorizing about human politics as well as in the scientific study of the natural world itself, to naturalize often means to normalize. The chapter shows that this frequently occurs in ways that resonate with what has been called ‘the naturalist fallacy’: the idea that because something occurs in nature it is by definition good.

This chapter explores metamorphosis by focusing on the so-called ‘shearwaters of Diomedea’ – a group of seabirds whose odd behaviour recalls their previous existence as humans. It puts these birds in conversation with other humans-turned-animals both ancient and modern and investigates how they reflect on the experience of transformation. The chapter reveals that both ancient and modern tales of metamorphosis draw on the notion of hybridity in so far as many of the creatures undergoing such a transformation are, in effect, hybrids: they retain part of their human identity while also sporting the body of an animal. At the same time the chapter points to an important difference between ancient and modern ways of thinking the human. It shows that modern tales of metamorphosis tend to explore the dissolution of the boundary that separates the human from all other animals. The ancient conversation, by contrast, returns to – and ultimately affirms – the positions of some of the Greek philosophers arguing for an essential human difference.

This chapter explores the dynamics of ancient cross-cultural interactions via a case study from the Severan period. Aelian’s brief narrative of the Mesopotamian hero Gilgamos is a story that connects four cultural traditions: Chaldean, Persian, Greek, and Roman. Included in Book 12 of the De natura animalium, the story tells how the Babylonian king’s fear of being usurped led him to imprison his daughter, who secretly gave birth to a son, Gilgamos, by a man of no distinction. Palace guards threw the baby from the acropolis of Babylon, whereupon the infant Gilgamos was rescued by an eagle. Ostensibly the story celebrates the eagle’s capacity for philanthropia, or devotion to humans, but Aelian is up to much more, as the Gilgamos tale opens up questions of cultural legitimacy, the need for evidentiary proof of belonging, and even the role of writing in the complex processes of cultural transformation. Aelian ultimately rejects legitimacy conferred by nature and opts instead for the adoption even of what is illegitimate, untrue, or unverifiable if it represents a valuable medium of cultural interconnectivity.