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21 results

Page 1 of 2

  • ROCK FORMS AND AVIAN SEQUENCES: PERFORMING EDWARD COWIE’S CYCLES AND SONATAS

  • Roderick Chadwick
  • Journal:
    Tempo / Volume 79 / Issue 312 / April 2025
    Published online by Cambridge University Press:
    29 April 2025, pp. 37-49
    Print publication:
    April 2025

  • Two of the most important creative stimuli for Edward Cowie throughout his composing life have been the natural world and working closely with performers, such as the BBC Singers and Kreutzer Quartet. Over the last four years, he and I have been in the studio recording his bird portrait duo cycles, and three geologically themed piano sonatas collectively titled Rock Music. Reflecting on this music and exploring, through my written correspondence with Cowie, how our outlooks align, offers insights into the relationship between music and the environment, particularly when forms and processes with such a rich history as the sonata are in the frame. The gap between the perspectives of performer and composer is also a lens through which salient interpretative matters can be perceived.

  • Chapter 22 - ‘Un sens artistique très développé’

  • from Part III - Composers, Performers, and Critics
  • Edited by Robert Sholl, Royal Academy of Music and University of West London
  • Book:
    Messiaen in Context
    Published online:
    09 November 2023
    Print publication:
    30 November 2023, pp 199-206

  • Summary

    Messiaen’s cahiers de notations des chants d’oiseaux tell us a great deal about how he fashioned works such as Oiseaux exotiques and Catalogue d’oiseaux from birdsong notations made in the wild and from recordings. Of what benefit can they be to performers? This chapter shows how insights the cahiers give into Messiaen’s imaginative world can influence performers’ approaches, offering perspectives on Messiaen’s perceptions of the ‘artistry’ of the birds, which are not always apparent from the published scores.

Olivier Messiaen's Catalogue d'oiseaux
  • From Conception to Performance
  • Roderick Chadwick, Peter Hill
  • Published online:
    05 December 2017
    Print publication:
    21 December 2017
  • Roderick Chadwick and Peter Hill give a detailed account of the evolution of Olivier Messiaen's Catalogue d'oiseaux for piano solo, from its initial conception in the Black Forest in 1953 to its completion and premiere in the Parisian 'Concerts du Domaine Musical' at the end of the decade. Through close examination of the composer's birdsong cahiers they demonstrate how Messiaen translated nature into music in a way that had a major impact on his later work. They also consider issues of performance, and Messiaen's artistic relationship with his dedicatee and wife-to-be, Yvonne Loriod, including the significance of her two recordings of the cycle. This book illuminates the Catalogue from a variety of angles: its historical significance, as a study of how mimicry of nature can be transformed into music of mesmeric originality, and as a guide that offers a wealth of fresh insights to listeners and performers.

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