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Published in 1914, Joseph Conrad's Chance, with its female protagonist, Flora de Barral, and happy ending, represented a new departure in his writings. Aided by the robust advertising efforts of his American publisher, Doubleday, Page, Chance was also his first major financial success. This comprehensive critical edition includes an introduction to the novel's origins and sources, while explanatory notes detail literary and historical references, identify real-life places and people, and indicate borrowings and Gallicisms. A textual essay and its accompanying apparatus lay out the history of composition and publication, detailing interventions made by Conrad's typists, compositors, and editors. Also included are appendices, a glossary of nautical terms, a genealogy of the text, and reproductions of early drafts. By returning to (and respecting) Conrad's early manuscript and typescript states, this edition presents Chance and its preface in a form more authoritative than any so far printed.
Joseph Conrad: Contemporary Reviews (five volumes) is an indispensable resource for Conrad specialists and students of literary Modernism generally, aiming to provide as complete a view as possible of the contemporary reception of Joseph Conrad's works in the English-speaking world. These volumes offer insights into early twentieth-century reviewing practices, the marketing of literary fiction and the wide interest in such writing, as reviews of Conrad's work regularly appeared in provincial and colonial newspapers. Contemporary Reviews Volume 5 offers previously unavailable reviews spanning Conrad's career, from Almayer's Folly (1895) to Last Essays (1926). The nearly one thousand reviews collected here chart the consolidation of Conrad's reputation as a major English author, recording his impact upon late-Victorian literature and demonstrating how he helped shape literary Modernism. Articulating areas of critical interest that continue to attract readers and commentators today, the Contemporary Reviews confirm Conrad's growing stature in the colonial literary marketplace.