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Within the shifting political landscapes of Eastern Europe during the late Middle Ages, the principality of Moldavia (extending over today's northeastern third of Romania and the Republic of Moldova) emerged as an eastern Christian frontier - indeed, a bastion, a 'gate of Christianity' - in the face of the advancing Ottoman armies and Tatar forces. Moldavia's leaders - among them Peter I Mușat, Alexander I, and Stephen III - established political, military, and economic contacts in efforts to strengthen and protect their domain, and, by extension, the rest of Europe. After the fall of Constantinople in 1453, Moldavia under Stephen III also refashioned Byzantine traditions in a new context, thereby preserving and transforming the legacies of the former Byzantine Empire to the north of the Danube River. This book argues for Moldavia's central role in the political, military, economic, and cultural spheres of Eastern Europe from the second half of the fourteenth century to the turn of the sixteenth century.
This ethnographic book deals with the emergence of the Wali Pitu (seven saints) tradition and Muslim pilgrimage in Bali, Indonesia. It touches upon the issues of translocal connectivity between Java and Bali, Islam-Hindu relationship, relations between Muslim groups, and questions of authority and authenticity of saint worship tradition. It offers a new perspective on Bali, seeing the island as a site of cultural motion straddling in between Islam and Hinduism with complexities of local figurations, and belongings of 'Muslim Balinese'. The study also urges the intricate relationship between religion and tourism, between devotion and economy, and shows that the Wali Pitu tradition has facilitated the transgression of spatial and cultural boundaries.
This book presents three of the works of Abdu'l-Bahá, son of the founder of the Bahá’í Faith, dealing with social and political issues. In The Secret of Divine Civilization (1875) Abdu'l-Bahá supports the administrative and broader social reforms of Mirza Hosayn Khan, but looks mainly for organic reform through the efforts of Iranian intellectuals to waken and educate the masses. In this work, Abdu'l-Bahá gives virtuous and progressive Islamic clerics a leading role among these intellectuals, indeed most of his appeals are directed specifically to them. A Traveller's Narrative (1889/90) is an authoritative statement of the broad lines of Bahá’í social and political thinking. The Art of Governance (1892/93) was written as Iran entered a pre-revolutionary phase, and ideas that we recognise today as the precursors of political Islam were spreading. It sets out the principles underlying the ideal relationship between religion and politics and between the government and the people. In addition to presenting the first parallel text translations of these works, the Persian texts incorporate notes on variants in the early published sources. An introduction outlines the intellectual and political landscape from which Abdu'l-Bahá. wrote, and in which his expected readers lived.
There are many ways of being Muslim in Indonesia, where more people practice Islam than anywhere else in the world. In Being Muslim in Indonesia, Muhammad Adlin Sila reveals the ways Muslims in one city constitute unique religious identities through ritual, political, and cultural practices. Emerging from diverse contexts, the traditionalist and reformist divide in Indonesian Islam must be understood through the sociopolitical lens of its practitioners' whether royalty, clerics, or laity.
There are many publications dealing with the political career of Ruhollah Khomeini (1902-1989), who transformed the political landscape of Iran and the Middle East after the Islamic Revolution of 1979. Most of the research conducted in the West is on Khomeini's political strategies, while the influential role of mysticism in all facets of his life is ignored. This book is the first study examining Khomeini's poetry, mysticism and the reception of his poetry both in Iran and the West. It investigates how Khomeini integrated various doctrines and ideas of Islamic mysticism and Shi’ism such as the 'Perfect Man' into his poetry.
Starting in the late nineteenth century, unusual pictographic books began to flow from a remote corner of Southwest China into the libraries of the Western world. What made these books so attractive? For one, they possessed the air of mystery that came with being 'magical' books almost indecipherable to all but a select few ritual specialists, but perhaps more importantly, they were written in what looked like an ancient form of picture writing.
In these books, written in the Naxi dongba script of southwest China, the events unfold on the page visually. This book offers a full translation of a central Naxi origin myth in a level of detail never before seen: readers are invited to delve into this unique script in both its original form and digital recreation, alongside historic and updated translations and an accompanying explanation of each individual graph.
Designating Place showcases the diverse ways archaeologists approach ancient urban spacesâ€'including geophysical, spatial, iconographic, and epigraphic analyses. Drawing on techniques as wide-ranging as space syntax, shallow seismic reflection surveys, linguistic landscape studies, and collective memory studies, this international team of scholars presents the latest insights from cutting-edge research into urban societies near Rome and Pompeii.
This book examines the social and political mobilisation of religious communities towards forced displacement in relation to tolerance and transitory environments. How do religious actors and state bodies engage with refugees and migrants? What are the mechanisms of religious support towards forcibly displaced communities? Religion and Forced Displacement in Eastern Europe, the Caucasus, and Central Asia argues that when states do not act as providers of human security, religious communities, as representatives of civil society and often closer to the grass roots level, can be well placed to serve populations in need. The book brings together scholars from across the region and provides a comprehensive overview of the ways in which religious communities tackle humanitarian crises in contemporary Armenia, Bulgaria, Greece, Georgia, Kazakhstan, Kyrgyzstan, Moldova, Poland, Russia, Serbia, Ukraine and Uzbekistan.
The book explores the manuscripts written, read, and studied by Franciscan friars from the thirteenth to the fifteenth centuries in Northern Italy, and specifically Padua, assessing four key aspects: ideal, space, form and readership. The ideal is studied through the regulations that determined what manuscripts should aim for. Space refers to the development and role of Franciscan libraries. The form is revealed by the assessment of the physical configuration of a set of representative manuscripts read, written, and manufactured by the friars. Finally, the study of the readership shows how Franciscans were skilled readers who employed certain forms of the manuscript as a portable, personal library, and as a tool for learning and pastoral care. By comparing the book collections of Padua's reformed and unreformed medieval Franciscan libraries for the first time, this study reveals new features of the ground-breaking cultural agency of medieval friars.
The rule of Peter Aron (r. 1451–1452; 1454–1457, with interruptions) marked the beginning of Moldavia's allegiance to the Ottoman Empire. It was during his reign that Moldavia agreed to pay tribute to Sultan Mehmed II “the Conqueror” (r. 1444–1446; 1451–1481), for the first time. Contemporary sources—chronicles, imperial charters, letters, petitions, reports, etc.—are not particularly straightforward on the nature of the initial interactions between Moldavia and the Ottomans. It appears that Moldavia was forced to recognize Ottoman suzerainty and pay an annual tribute to the Porte sometime soon after the fall of Constantinople in 1453. The exact date at which Moldavia became a tributary state (Ottoman-Turkish: kharâj-güzar; Latin: tributarius) is difficult to establish. But it is known that a peace agreement or treaty (‘ahdnâme) with the Porte was ratified sometime after 1455, during the second reign of Peter Aron. Sultan Mehmed II issued a document to Peter Aron on October 5 in which he outlined the conditions of a peace settlement between Moldavia and the Porte, requesting a punctual annual payment of two thousand Hungarian gold forints (ducats) in return for peace. The agreement reads:
From the great sovereign and great Emir Sultan Mehmed Bey to the noble, wise, and estimable Peter, voivode and prince of Moldavia [Morovlahia]. Receive friendly greetings, Your Excellency. You have sent your messenger, the boyar and chancellor Mihail. And My Highness has taken note of all the words he has said. If you send My Highness harac [tribute] in the amount of 2,000 gold ducats each year, let there be perfect peace [between us]. And I grant you a delay of three months. If [the tribute] arrives within this time, let there be complete peace with My Highness. But if it does not arrive, you know [what will happen]. And let God rejoice you! On the fifth day of October, in Sarukhanbeyli [Saranovo or Saranbei, near Tatar Pazardzhik]!
On June 9, 1456, the Sultan sent another letter to the Moldavian prince in which he recognized Peter's acceptance of the peace conditions—an action that is said to have “eliminated the hostility” between these two leaders and their domains.
Moldavia declared its independence from Hungary around 1359, a few years after Dragoş, who was from Maramureş—a territory in northern Transylvania—settled in the region. Dragoş was sent by the Hungarian Crown to the east of the Carpathian Mountains to establish a local defensive zone against Tatar threats from the east. Dragoş “dismounted his horse,” as the Moldavian chronicles indicate, somewhere near Suceava, settled there with his family and men, and governed the northern parts of the territory of medieval Moldavia until about 1354 when his son, Sas, took control under the title of Markgraf or Marquis (r. ca. 1354–ca. 1363). During these years, Moldavia remained under Hungarian suzerainty. The situation changed before the sixth decade of the fourteenth century when the Drăgoşeşti broke their alliance with Hungary. A document from March 20, 1360, issued by Louis I “the Great” (King of Hungary from 1342 and King of Poland beginning in 1370 and until his death in 1382), reveals his gratitude toward a certain Dragoş from Giuleşti and his sons who restored Hungarian control over the territory of Moldavia. This need to “reclaim” Moldavia may have come from an internal uprising against the Hungarian Crown toward the end of 1359 or early 1360, likely led by Sas, his father Dragoş, and their followers.
Sometime between spring 1360 and winter 1364/1365, Bogdan I, also from Maramureş, crossed the Carpathians but this time to escape a conflict with the Hungarians. He overturned the control of the Drăgoşeşti and took the throne of the region as ruler (r. ca. 1363–1367). After Bogdan I took the throne, the territory to the east of the Carpathian Mountains was known both as Moldavia and Bogdania, that is, the realm of Bogdan. A document from February 2, 1365, speaks of the ruler Bogdan and his sons (“Bokdan voyvoda et sui filii”) crossing secretly into Moldavia and engaging in a tough battle against Sas, his sons, and their supporters. Bogdan emerged victorious from this encounter that took place sometime in 1363. Furthermore, his actions reveal that he also took advantage of the political and military situation and interests of his neighbours at this time. For example, Algirdas, ruler of the Grand Duchy of Lithuania from 1345 to 1377 had just secured the borders of his realm from Tatar attacks after the Battle of Blue Waters (1362–1363).
The beginnings of the principality of Moldavia in 1359 are somewhat shrouded in mystery, but several important leaders shaped the political, economic, and cultural position of the principality, including Peter I Muşat, Alexander I, and Stephen III. From the second half of the fourteenth century onward, Moldavia found itself at the crossroads of different cultures, among them Western and Central European, Byzantine, Slavic, and even Islamic. The networked position of this Carpathian principality enabled it to foster political, military, economic, and cultural ties with its closer and more distant neighbours. Contact and exchange facilitated the local assimilation of elements from various traditions that gave rise to distinct cultural and visual forms in Moldavia. This visual syncretism is most evident in the artistic and architectural spheres, both secular and ecclesiastical. The numerous fortifications of the principality and the dozens of fortified monasteries exhibit design and stylistic forms drawn from distinct traditions and adapted alongside local models. These structures were strategically erected along the perimeter of Moldavia in efforts to ensure the principality's protection from all sides. The secular and the religious spheres thus complemented each other and worked to further the protection of the land.
But it was especially from Stephen's rule in 1457—just a few years after the fall of Constantinople to the Ottomans in 1453—that Moldavia as a polity began to assume a crucial role in the continuation and transformation of Byzantine traditions and legacies while serving as a “shield” for the rest of Europe in the face of the rapidly advancing Tatar forces and expanding Ottoman Empire. After the death of Stephen III, Moldavia entered a period of turmoil. His immediate heirs, Bogdan III (r. 1504–1517) and Stephen IV (r. 1517–1527) were unable to maintain harmony and peace. They struggled against outside threats and internally against members of the high nobility who often rose against them. Outside threats from neighbours and the Ottomans were ongoing and intensified during the initial years of the sixteenth century. In 1505, for example, Radu the Great (r. 1495–1508) led his Wallachian troops into Moldavia to take over the principality but was defeated. The following year, in 1506, the Polish armies, under Sigismund I, attacked Moldavia and advanced as far as Botoşani but they were eventually forced to retreat.
Having established the chronological development of Moldavia and the diplomatic and military encounters that shaped the principality in the second half of the fifteenth century, I now wish to shift attention to how ideologies and patronage both shaped and reflected Stephen III's reign and the circumstances of the second half of the fifteenth century.
Within Stephen's long reign, the 1460s and 1470s presented a crucial moment of transformation and renewal for the Moldavian prince, who, in his self-fashioning, was redefining his role and aspirations as an Orthodox Christian leader and defender. Stephen's princely ideology, moulded in part by his own ambitions, was also shaped by Moldavia's often-troubled relations with its Christian neighbours and with the Ottoman Empire in the second half of the fifteenth century—in the wake of which he was aspiring to be a notable Christian leader and protector of the Christian faith. As early as 1466 Stephen began to take an interest in the patronage of the monastic communities on Mount Athos, and also initiated construction on his princely mausoleum at Putna Monastery. In 1472, he married Maria of Mangup on the feast day of the Holy Cross, September 14—a marriage that incited an array of cultural, artistic, and ideological transformations for Moldavia and its ruler. The following year, Stephen put an end to the payment of tribute toward the Ottoman Porte, began referring to himself as tsar, and waged war against Wallachia in an effort to expand Moldavia's territory and create a Christian buffer zone along the eastern and southern slopes of the Carpathian Mountains against the advancing Ottoman armies. A little over a decade later, the peace treaty with the Ottomans in 1486 marked the end of a phase in which Stephen fervently fought for the protection of his domain while redefining his princely aspirations. Once Moldavia entered a period of political and military stability in 1486–1487, Stephen directed his attention toward the building of churches throughout his domain, beginning with the churches at Bădeuţi (Milişăuţi) and Pătrăuţi dedicated to St. Procopius and the Holy Cross, respectively.
Stephen's secular and ecclesiastical patronage during his long and prosperous reign—spanning almost half a century— was a direct reflection of his princely ambitions. His initial projects—secular in character and taking the form of fortresses and royal courts—reveal his concerns during the first decades of his reign with the much-needed protection of his domain.