Digital technologies, including 3D digitization and replication, are increasingly integrated into repatriation-related work by museums and Indigenous communities. Repatriation laws began being adopted in the United States at state level in 1976, followed by federal repatriation laws in 1989 with the National Museum of the American Indian (NMAI) Act, which applies only to the museums of the Smithsonian Institution, and in 1990 with the Native American Graves Protection and Repatriation Act (NAGPRA). Early repatriation, therefore, was in the predigital age, but the use of computers and databases, including digital imaging, email, and file-sharing, has had a significant impact, first with 2D digital technologies and more recently with the incorporation of 3D digitization. These, and the creation of surrogates of archival and object collections, have led to an explosion of information-sharing between museums and Indigenous partners. 2D digitization and 3D digitization and replication, in consultation and collaboration with Indigenous communities, are emerging as important tools alongside repatriation efforts—not in lieu of repatriation but as supplements to mutual interests that go beyond it. Here, the experiences of the Smithsonian’s National Museum of Natural History and others are offered as examples of such new applications of 3D in the context of repatriation and beyond.