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33 results in Dance

Page 1 of 2

Haydn's Minuets and Eighteenth-Century Dance
  • Joseph Fort
  • Coming soon
  • Expected online publication date:
    September 2025
    Print publication:
    30 September 2025
  • Audiences in eighteenth-century Vienna attended the city's popular public balls, where they danced the minuet. This book explores the public dance culture of Vienna in the late eighteenth century as an essential context in which to understand minuet composition from this period, focusing on the music of Haydn, and restores the array of kinaesthetic associations and expectations that eighteenth-century audiences brought to the listening experience through their knowledge of the dance. It reconstructs the choreography of the minuet as it was performed in the Viennese dance halls and examines the repertoire of minuets composed specifically for dancing, bringing new perspectives to the minuet genre. This recovered bodily knowledge allows the author to put forward an analytical method of 'somatic enquiry' and apply it to Haydn's symphonic minuets from the 1790s, revealing previously hidden features in this music that come to light when listening with an understanding of the dance.

The Archives and Afterlives of Nautch Dancers in India
  • Prarthana Purkayastha
  • Coming soon
  • Expected online publication date:
    September 2025
    Print publication:
    30 September 2025
  • In a time of colonial subjugation, subaltern, illicit and courtesan dancers in India radically disturbed racist, casteist and patriarchal regimes of thought. The criminalized 'nautch' dancer, vilified by both British colonialism and Indian nationalism, appears in this book across multiple locations, materials and timelines: from colonial human exhibits in London to open-air concerts in Kolkata, from heritage Bengali bazaar art to cheap matchbox labels and frayed scrapbooks, and from the late nineteenth century to our world today. Combining historiography and archival research, close reading of dancing bodies in visual culture, analysis of gestures absent and present, and performative writing, Prarthana Purkayastha brings to light rare materials on nautch women, real and fictional outlawed dancers, courtesans and sex-workers from India. Simultaneously, she decolonises existing ontologies of dance and performance as disappearance and advocates for the restless remains of nautch in animating urgent debates on race, caste, gender and sexuality today.

The Cambridge Companion to The Rite of Spring
  • Edited by Davinia Caddy
  • Coming soon
  • Expected online publication date:
    May 2025
    Print publication:
    31 May 2025
  • A Companion not only to the historic, path-breaking ballet production by Diaghilev, Nijinsky, Roerich and Stravinsky that premiered in Paris in 1913, but also to its legacy across the centuries. The newly commissioned essays will guide students and ballet-goers as they encounter this fascinating work and enable them to navigate the complex artistic currents it set in motion, intertwining music, theatrical ballet and modern dance with the wider world of ideas. The book embraces The Rite of Spring as a spectrum of creative possibility that has impacted the arts, politics, gender, race and national identity, and even popular culture, from the 1910s to the present day. It distils an enormous body of literature, sharing insights from the very latest research while inviting readers to rethink standard scholarly narratives, and brings together contributions from specialists across multiple disciplines: music history, theory and analysis, dance and theatre studies, art history, Russian history, and European modernism.

Naples, Capital of Dance
  • The ‘feste di ballo' Tradition in the Long Eighteenth Century
  • Anthony R. DelDonna
  • Published online:
    10 April 2025
    Print publication:
    17 April 2025
  • Renowned as a city of entertainment, Naples was unequaled in eighteenth-century Italy for the diversity of its musical life. During the reigns of Carlo di Borbone and his heir Ferdinando IV, the sponsorship of feste di ballo, elaborate celebratory balls featuring social dance such as the minuet and contradance, grew increasingly lavish. Organized for carnevale, occasions of state, and personal celebrations in the lives of the royal family, the feste di ballo fostered both a public agenda and a personal rapport between the monarchs and local aristocracy. As the century progressed, the frequency of and resources accorded to the feste di ballo and its showcasing of social dance came to match those of stage drama and instrumental music. Based on extensive archival research, this book reveals the culture of social dance at the Bourbon court and how these spectacular events served to project images of authority, power, and identity.

The Cambridge Companion to Tango
  • Edited by Kristin Wendland, Kacey Link
  • Published online:
    15 March 2024
    Print publication:
    28 March 2024
  • Tango music rapidly became a global phenomenon as early as the beginning of the twentieth century, with about 30% of gramophone records made between 1903 and 1910 devoted to it. Its popularity declined between the 1950s and the 1980s but has since risen to new heights. This Companion offers twenty chapters from varying perspectives around music, dance, poetry, and interdisciplinary studies, including numerous visual and audio illustrations in print and on the accompanying webpages. Its multidisciplinary approach demonstrates how different disciplines intersect through performative, historical, ethnographic, sociological, political, and anthropological perspectives. These thematic continuities illuminate diverse international perspectives and highlight how the art form flourished in Argentina, Uruguay and abroad, while tracing its international and cultural impact over the last century. This book is an innovative resource for scholars and students of tango music, particularly those seeking a diverse international perspective on the subject.

Re-writing Dance Modernism: Networks
  • Edited by Julia Hoczyk, Wojciech Klimczyk
  • Published by:
    Jagiellonian University Press
    Published online:
    01 March 2024
    Print publication:
    31 March 2023
  • Dance modernism is not only a part of cultural history. It is also, perhaps above all, a multicolored reference for thinking about the dancing body's past and presence as well as its many practices. Finally, dance modernism is a story of modern longings and anxieties. The story has been constantly re-written, with a growing awareness of its global and collective character. An outcome of a meeting between dance historians and practitioners, this book is an example of said awareness.

Medieval Laments of the Virgin Mary
  • Text, Music, Performance, and Genre Liminality
  • Eliška Kubartová Poláčková
  • Published by:
    Amsterdam University Press
    Published online:
    28 December 2023
    Print publication:
    30 April 2023
  • Laments of the Virgin Mary represent a devotional genre that offered its clerical and lay audiences of the High and Late Middle Ages a deeply inspiring, yet at the same time ambiguous, religious experience. Through the deeply emotional and markedly animated representation of the Passion, seen as if through the eyes of the mother of God, audiences and performers were not only reminded of the redemptive power of the Cross, but encouraged to experience Christ's sacrifice in a more personal and intimate manner. In the pious practice of imitatio Mariae, believers mirrored the sorrow of the mother through their own bodies in order to develop a kind of visceral empathy towards, and hence a deeper understanding of, the divine.

Masquerade and Money in Urban Nigeria
  • The Case of Calabar
  • Jordan A. Fenton
  • Published by:
    Boydell & Brewer
    Published online:
    26 May 2022
    Print publication:
    07 February 2022
  • Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State.

The Dancing Body in Renaissance Choreography
  • Kinetic Theatricality and Social Interaction
  • Mark Franko
  • Published by:
    Anthem Press
    Published online:
    13 May 2022
    Print publication:
    01 March 2022
  • Renaissance dance treatises claim that the dance is a language but do not explain how or what dancing communicates. Since the body is the instrument of this hypothetical language, The Dancing Body in Renaissance Choreography problematizes the absence of the dancing body in treatises in order to reconstruct it through a series of intertextual readings triggered by Thoinot Arbeau’s definition of dance as a mute rhetoric in Orchésographie. This book shows that the oratorical model for Arbeau’s definition of the dance is epideictic and that although one cannot equate dance and oratorical action, the ends of oratorical action are those of dance: persuasion through charm and emotion.

Hitchcock's Motifs
  • Michael Walker
  • Published by:
    Amsterdam University Press
    Published online:
    05 February 2021
    Print publication:
    07 October 2005
  • Alfred Hitchcock’s films are renowned the world over, and a mountain of literature has detailed seemingly every facet of them. Yet remarkably few studies have solely focused on the recurring motifs in Hitchcock’s films. Michael Walker remedies this surprising gap in Hitchcock literature with an innovative and in-depth study of the sustained motifs and themes threaded through Hitchcock’s entire body of work. Combing through all fifty-two extant feature films and representative episodes from Hitchcock’s television series, Walker traces over forty motifs that emerge in recurring objects, settings, character-types, and events. Whether the loaded meaning of staircases, the symbolic status of keys and handbags, homoeroticism, guilt and confession, or the role of art, Walker analyzes such elements to reveal a complex web of cross-references in Hitchcock’s art. He also gives full attention to the broader social contexts in which the motifs and themes are played out, arguing that these interwoven elements add new and richer depths to Hitchcock’s oeuvre. An invaluable, encyclopedic resource for the scholar and fan, Hitchcock’s Motifs is a fascinating study of one of the best-known and most admired film directors in history.

European Cinema
  • Face to Face with Hollywood
  • Thomas Elsaesser
  • Published by:
    Amsterdam University Press
    Published online:
    05 February 2021
    Print publication:
    22 June 2005
  • In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe’s national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of “world cinema” and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition.

Ingmar Bergman
  • A Reference Guide
  • Birgitta Steene
  • Published by:
    Amsterdam University Press
    Published online:
    27 January 2021
    Print publication:
    03 November 2005
  • The films of Swedish director Ingmar Bergman are renowned for their largely spare and stark aesthetic, an existential framework, and plots driven by a fascination with death and the moral torments of the human soul. Birgitta Steene offers here in Ingmar Bergman: A Reference Guide an essential and unparalleled resource on the life and work of Bergman. Plumbing the depths of these trademark Bergman themes, Steene traces as well the indelible mark he left on world cinema through his other cinematographic work and writings.

    Over the decades, Bergman's stature and image have evolved in fascinating ways - an iconoclast of the 1950s, a bourgeois traditionalist of the 1960s, and an icon in the 1980s. This exhaustive compendium considers each phase of his career, exploring his deep and vast oeuvre in all its controversy and complexity, and analyzes his intriguing and unique motifs such as his efforts to expose dead conventions and his portrayals of Woman as the archetype of humanity. As well as providing a detailed account of Bergman's life and chronicling his career as a filmmaker and theater director, including his work for television, Steene offers transcripts of some of the numerous interviews and conversations she conducted with Bergman. Writings by and about Bergman and a detailed chronological survey of his film and theatrical work completes this eminently readable and thoroughly researched volume. A wide-ranging and groundbreaking work of film history, Ingmar Bergman is the definitive reference for scholars of the Scandinavian master.

Audiovisions
  • Cinema and Television as Entr'Actes in History
  • Siegfried Zielinski
  • Published by:
    Amsterdam University Press
    Published online:
    27 January 2021
    Print publication:
    15 December 2012
  • The production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision - the media vanishing point of the 20th century. Very little will remain unchanged. The classic institutions for the mediation of film - cinema and television - are revealed to be no more than interludes in the broader history of the audiovisual media. This book interprets these changes not simply as a cultural loss but also as a challenge: the new audiovisions have to be confronted squarely to make strategic intervention possible. 'Audiovisions' provides a historical underpinning for this active approach. Spanning 100 years, from the end of the 19th to the end of the 20th century, it reconstructs the complex genesis of cinema and television as historically relative - and thus finite - cultural forms, focussing on the dynamics and tension in the interaction between the apparatus and its uses. The book is also a plea for staying power" in studies of cultural technology and technological culture of film. Essayistic in style it dispenses with complicated cross references and instead is structured around distinct historical phases. Montages of images and text provide supplemental information contrast and comment.

Harun Farocki
  • Working on the Sightlines
  • Edited by Thomas Elsaesser
  • Published by:
    Amsterdam University Press
    Published online:
    26 January 2021
    Print publication:
    09 June 2004
  • Filmmaker, film essayist, installation artist, writer: the Berlin artist Harun Farocki has devoted his life to the power of images. Over the thirty-plus years of his career, Farocki has explored not the images of life but rather the life of images that surrounds us in newspapers, cinema, books, television, and advertising. Harun Farocki examines, from different critical perspectives, his vast oeuvre, which includes three feature films, critical media pieces, children's television features, 'learning films' in the tradition of Brecht, and installation pieces. Interviews, a selection of Farocki's own writings, and an annotated filmography complete a valuable biography of this pioneering artist and his legendary career.

Camera Obscura, Camera Lucida
  • Essays in Honor of Annette Michelson
  • Edited by Richard Allen, Malcolm Turvey
  • Published by:
    Amsterdam University Press
    Published online:
    25 January 2021
    Print publication:
    03 February 2003
  • Annette Michelson's contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to her extraordinary contribution.

Cinephilia
  • Movies, Love and Memory
  • Edited by Marijke de Valck, Malte Hagener
  • Published by:
    Amsterdam University Press
    Published online:
    25 January 2021
    Print publication:
    01 July 2005
  • They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as Franois Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.

City of Darkness, City of Light
  • Émigré Filmmakers in Paris 1929–1939
  • Alastair Phillips
  • Published by:
    Amsterdam University Press
    Published online:
    25 January 2021
    Print publication:
    29 December 2003
  • The volume is the first-ever book-length study of the cinematic representation of Paris in the films of German èmigrè filmmakers.

Shooting the Family
  • Transnational Media and Intercultural Values
  • Edited by Patricia Pisters, Wim Staat
  • Published by:
    Amsterdam University Press
    Published online:
    23 January 2021
    Print publication:
    16 February 2005
  • Shooting the Family, a collection of essays on the contemporary media landscape, explores ever-changing representations of family life on a global scale. The contributors argue that new recording technologies allows families an unusual kind of freedom - until now unknown - to define and respond to their own lives and memories. Recently released videos made by young migr as they discover new homelands and resolve conflicts with their parents, for example, reverberate alongside the dark portrayals of family life in the formal filmmaking of Ang Lee. This book will be a boon to scholars of film theory and media studies, as well as to anyone interested in the construction of the family in a postmodern world.

Film Remakes as Ritual and Disguise
  • From Carmen to Ripley
  • Anat Zanger
  • Published by:
    Amsterdam University Press
    Published online:
    23 January 2021
    Print publication:
    12 June 2006
  • The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told.

    Anat Zanger focuses on contemporary retellings of three particular tales' Joanof Arc, Carmen, and Psycho to reveal what she calls the remake's 'rituals of disguise.' Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural 'fingerprints' that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death - playing at movie theaters seven days a week, 365 days a year.

    Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history.

Jean Epstein
  • Critical Essays and New Translations
  • Edited by Sarah Keller, Jason N. Paul
  • Published by:
    Amsterdam University Press
    Published online:
    20 January 2021
    Print publication:
    15 July 2012
  • Although early film buffs may be familiar with Jean Epstein's films, including an adaptation of Edgar Allan Poe's The Fall of the House of Usher, not many Anglophones are acquainted with his poetic and provocative prose. Gathered in this wide-ranging collection are new translations into English of every major theoretical work on film theory Epstein ever published, as well a series of essays by other film makers and scholars of art history, French studies, and film, which provide incisive commentary and essential context for Epstein as both a director and a theoretician. As a result, Jean Epstein: Critical Essays and New Translations provides an expansive account of the artist and the man, from his beginnings as a student of biology and aspiring poet to his late film projects and posthumously published writings. By both connecting Epstein to his era and offering contemporary criticism of his films, the essays in this book demonstrate his ongoing importance in film history and theory. This collection is a timely reexamination of a filmmaker and author who has much to offer modern audiences and readers.

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