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55 results in Classical Theatre

Page 1 of 3

A Social and Economic History of the Theatre to 300 BC
  • Volume 1, The Theatre Festivals of Athens: Documents with Translation and Commentary
  • Eric Csapo, Peter Wilson
  • Coming soon
  • Expected online publication date:
    December 2025
    Print publication:
    31 December 2025
  • This is the first volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on the theatre festivals in the city of Athens. It presents and discusses in detail all the documentary and material evidence for the Dionysia in the city of Athens, the Lenaea and the Anthesteria. It is the first comprehensive reappraisal of the Athenian theatre festivals undertaken in over seventy years and the first ever to attempt a history of the Athenian theatre as an institution which recognises the social and economic forces that underpinned it. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.

The Performance Reception of Greek Tragedy in Ancient Theatres
  • Sebastiana Nervegna
  • Published online:
    20 March 2025
    Print publication:
    03 April 2025
  • Greek tragedy enjoyed a rich afterlife on ancient stages. This book reconstructs that history across the entire Mediterranean area, from the fourth century BC to the early third century AD. It is based on an extensive collection of primary sources ranging from inscriptions and festival catalogues to literary records, tragedy-related vases from fourth-century Sicily and South Italy, and the Greek models of Roman Republican tragedies, with each one placed in its historical context. Sebastiana Nervegna identifies the Greek tragedies that formed the ancient theatrical repertoire, assesses how actors contributed to their survival and considers how public audiences continued to enjoy the theatrical masterpieces of Classical Athens. This is the first work entirely dedicated to the circulation of Greek tragedies among the larger public throughout antiquity.

Choral Tragedy
  • Greek Poetics and Musical Ritual
  • Claude Calame
  • Translated by Vanessa Casato
  • Preface by Simon Goldhill
  • Published online:
    25 April 2024
    Print publication:
    02 May 2024
  • Ever since Aristotle opened the discussion on the role of the chorus in Greek tragedy, theories of the chorus have continued to proliferate and provoke debate to this day. The tragic chorus had its own story to tell; it was a collective identity, speaking within and to a collective citizen body, acting as an instrument through which stories of other times and places were dramatized into resonant heroic narratives for contemporary Athens. By including detailed case studies of three different tragedies (one each by Aeschylus, Euripides and Sophocles), Claude Calame's seminal study not only re-examines the role of the chorus in Greek tragedy, but pushes beyond this to argue for the 'polyphony' of choral performance. Here, he explores the fundamentally choral nature of the genre, and its deep connection to the cultic and ritual contexts in which tragedy was performed.

Blindness and Spectatorship in Ancient and Modern Theatres
  • Towards New Ways of Looking and Looking Back
  • Marchella Ward
  • Published online:
    30 November 2023
    Print publication:
    14 December 2023
  • The use of disability as a metaphor is ubiquitous in popular culture – nowhere more so than in the myths, stereotypes and tropes around blindness. To be 'blind' has never referred solely to the inability to see. Instead blindness has been used as shorthand for, among other things, a lack of understanding, immorality, closeness to death, special insight or second sight. Although these 'meanings' attached to blindness were established as early as antiquity, readers, receivers and spectators into the present have been implicated in the stereotypes, which persist because audiences can be relied on to perpetuate them. This book argues for a new way of seeing – and of understanding classical reception - by offering assemblage-thinking as an alternative to the presumed passivity of classical influence. And the theatre, which has been (incorrectly) assumed to be principally a visual medium, is the ideal space in which to investigate new ways of seeing.

Monody in Euripides
  • Character and the Liberation of Form in Late Greek Tragedy
  • Claire Catenaccio
  • Published online:
    27 July 2023
    Print publication:
    10 August 2023
  • The solo singer takes center stage in Euripides' late tragedies. Solo song – what the Ancient Greeks called monody – is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art.

Living Theatre in the Ancient Roman House
  • Theatricalism in the Domestic Sphere
  • Richard C. Beacham, Hugh Denard
  • Published online:
    22 December 2022
    Print publication:
    12 January 2023
  • For the Romans, much of life was seen, expressed and experienced as a form of theatre. In their homes, patrons performed the lead, with a supporting cast of residents and visitors. This sumptuously illustrated book, the result of extensive interdisciplinary research, is the first to investigate, describe and show how ancient Roman houses and villas, in their décor, spaces, activities and function, could constitute highly-theatricalised environments, indeed, a sort of 'living theatre'. Their layout, purpose and use reflected and informed a culture in which theatre was both a major medium of entertainment and communication and an art form drawing upon myths exploring the core values and beliefs of society. For elite Romans, their homes, as veritable stage-sets, served as visible and tangible expressions of their owners' prestige, importance and achievements. The Roman home was a carefully crafted realm in which patrons displayed themselves, while 'stage-managing' the behaviour and responses of visitor-spectators.

Beyond Death in the Oresteia
  • Poetics, Ethics, and Politics
  • Amit Shilo
  • Published online:
    01 September 2022
    Print publication:
    08 September 2022
  • The Oresteia is permeated with depictions of the afterlife, which have never been examined together. In this book Amit Shilo analyses their intertwined and conflicting implications. He argues for a 'poetics of multiplicity' and 'poetics of the beyond' that inform the ongoing debates over justice, fate, ethics, and politics in the trilogy. The book presents novel, textually-grounded readings of Cassandra's fate, Clytemnestra's ghost scene, mourning ritual, hero cult, and punishment by Hades. It offers a fresh perspective on the political thought of the trilogy by contrasting the ethical focus of the Erinyes and Hades with Athena's insistence on divine unity and warfare. Shedding new light on the trilogy as a whole, this book is crucial reading for students and scholars of classical literature and religion. This title is available as open access on Cambridge Core.

A Social and Economic History of the Theatre to 300 BC
  • Eric Csapo, Peter Wilson
  • Published online:
    20 May 2021
    Print publication:
    16 January 2020
  • This is the second volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on theatre culture in Attica (Rural Dionysia) and the rest of the Greek world. It presents and discusses in detail all the documentary and material evidence for theatre culture and dramatic production from the first two centuries of theatre history, namely the period c.500 to c.300 BC. The traditional assumption is laid to rest that theatre was an exclusively or primarily Athenian institution, with the inclusion of all sources of information for theatrical performances in twenty-two deme sites and over one hundred and twenty independent Greek (and some non-Greek) cities. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.

Adapting Greek Tragedy
  • Contemporary Contexts for Ancient Texts
  • Edited by Vayos Liapis, Avra Sidiropoulou
  • Published online:
    12 March 2021
    Print publication:
    01 April 2021
  • Adaptations of Greek tragedy are increasingly claiming our attention as a dynamic way of engaging with a dramatic genre that flourished in Greece some twenty-five centuries ago but remains as vital as ever. In this volume, fifteen leading scholars and practitioners of the theatre systematically discuss contemporary adaptations of Greek tragedy and explore the challenges and rewards involved therein. Adopting a variety of methodologies, viewpoints and approaches, the volume offers surveys of recent developments in the field, engages with challenging theoretical issues, and shows how adapting Greek tragedy can throw new light on a range of contemporary issues — from our relation to the classical past and our shifting perceptions of ethnic and cultural identities to the place, function and market-value of Greek drama in today's cultural industries. The volume will be welcomed by students and scholars in Classics, Theatre, Drama and Performance Studies, as well as by theatre practitioners.

Greek Theater in Ancient Sicily
  • Kathryn G. Bosher
  • Edited by Edith Hall, Clemente Marconi
  • Prepared for publication by LaDale Winling
  • Published online:
    11 February 2021
    Print publication:
    21 January 2021
  • Studies of ancient theater have traditionally taken Athens as their creative center. In this book, however, the lens is widened to examine the origins and development of ancient drama, and particularly comedy, within a Sicilian and southern Italian context. Each chapter explores a different category of theatrical evidence, from the literary (fragments of Epicharmus and cult traditions) to the artistic (phylax vases) and the archaeological (theater buildings). Kathryn G. Bosher argues that, unlike in classical Athens, the golden days of theatrical production on Sicily coincided with the rule of tyrants, rather than with democratic interludes. Moreover, this was not accidental, but plays and the theater were an integral part of the tyrants' propaganda system. The volume will appeal widely to classicists and to theater historians.

The Rhesus Attributed to Euripides
  • Edited by Marco Fantuzzi
  • Published online:
    10 December 2020
    Print publication:
    07 January 2021
  • The tragedy Rhesus has come down to us among the plays of Euripides but was probably the work either of fourth-century BC actors or producers heavily rewriting his original play or of a fourth-century author writing in competition. This edition explores the play as a 'postclassical' tragedy, composed when the plays of Aeschylus, Sophocles and Euripides had become the 'classical' canon. Its stylistic mannerisms, cerebral re-use of the motifs and language of fifth-century tragedy, and endemic experimentalism with various models of intertextuality exemplify the anxiety of influence of the Rhesus as a text that 'comes after' fifth-century drama and Book 10 of the Iliad. The anachronistic adaptations of the world of the epic heroes to the new reality of the polis and the irresistible rise of Macedonian power also reveal the Rhesus attempting to be both seriously intertextual with its models and seriously different from them.

Female Characters in Fragmentary Greek Tragedy
  • Edited by P. J. Finglass, Lyndsay Coo
  • Published online:
    11 June 2020
    Print publication:
    02 July 2020
  • How were women represented in Greek tragedy? This question lies at the heart of much modern scholarship on ancient drama, yet it has typically been approached using evidence drawn only from the thirty-two tragedies that survive complete - neglecting tragic fragments, especially those recently discovered and often very substantial fragmentary papyri from plays that had been thought lost. Drawing on the latest research on both gender in tragedy and on tragic fragments, the essays in this volume examine this question from a fresh perspective, shedding light on important mythological characters such as Pasiphae, Hypsipyle, and Europa, on themes such as violence, sisterhood, vengeance, and sex, and on the methodology of a discipline which needs to take fragmentary evidence to heart in order to gain a fuller understanding of ancient tragedy. All Greek is translated to ensure wide accessibility.

Ancient Theatre and Performance Culture Around the Black Sea
  • Edited by David Braund, Edith Hall, Rosie Wyles
  • Published online:
    12 November 2019
    Print publication:
    28 November 2019
  • This is the first study of ancient theatre and performance around the coasts of the Black Sea. It brings together key specialists around the region with well-established international scholars on theatre and the Black Sea, from a wide range of disciplines, especially archaeology, drama and history. In that way the wealth of material found around these great coasts is brought together with the best methodology in all fields of study. This landmark book broadens the whole concept and range of theatre outside Athens. It shows ways in which the colonial world of the Black Sea may be compared importantly with Southern Italy and Sicily in terms of theatre and performance. At the same time, it shows too how the Black Sea world itself can be better understood through a focus on the development of theatre and performance there, both among Greeks and among their local neighbours.

Theatrical Reenactment in Pindar and Aeschylus
  • Anna Uhlig
  • Published online:
    07 July 2019
    Print publication:
    18 July 2019
  • What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the space shared by these two fifth-century choral poets? In the first book-length comparative study of Pindar and Aeschylus in over six decades, Anna S. Uhlig pushes back against the prevailing tendency to privilege interpretive frames that highlight the differences in their works. Instead, she adopts a more inclusive category of choral performance, one in which both poets are shown to be grappling to understand how the vivid here and now of their compositions are in fact a reenactment of voices and bodies from elsewhere. Pairing close readings of the ancient texts with insights from modern performance studies, Uhlig offers a novel perspective on the 'song culture' of early fifth-century BC Greece.

The Cambridge Companion to Roman Comedy
  • Edited by Martin T. Dinter
  • Published online:
    30 March 2019
    Print publication:
    04 April 2019
  • The Cambridge Companion to Roman Comedy provides a comprehensive critical introduction to Roman comedy and its reception through more than twenty accessible and up-to-date chapters by leading international scholars. This book defines the fundamentals of Roman comedy by examining its literary and comic technique as well as its stagecraft and music, and then traces the genre's influence through the centuries. Roman comedy has served as a model for writers as well as artists ranging from Shakespeare to Molière and from Martin Luther to Cole Porter. Just as the Middle Ages spawned Christianised versions of Terence's comedies, in which harlots find God rather than a husband and young men become martyrs rather than never-do-well lovers, the twentieth century has also given us its take on Roman comedy with Stephen Sondheim's A Funny Thing Happened on the Way to the Forum and numerous modern versions of Plautus' Amphitryon.

Greek Tragedy After the Fifth Century
  • A Survey from ca. 400 BC to ca. AD 400
  • Edited by Vayos Liapis, Antonis K. Petrides
  • Published online:
    30 November 2018
    Print publication:
    13 December 2018
  • Did Greek tragedy die along with Euripides? This accessible survey demonstrates that this is far from being the case. In it, thirteen eminent specialists offer, for the first time in English, broad coverage of a little-studied but essential part of the history of Greek tragedy. The book contains in-depth discussions of all available textual evidence (including inscriptions and papyri), but also provides historical perspectives on every aspect of the post-fifth-century history of tragedy. Oft-neglected plays, such as Rhesus, Alexandra, and Exagōgē (the only surviving Biblical tragedy), are studied alongside such topics as the expansion of Greek tragedy beyond Athens, theatre performance, music and dance, society and politics, as well as the reception of Greek tragedy in the Second Sophistic and in Late Antiquity, and the importance of ancient scholarship in the transmission of Greek tragic texts.

Menander: Samia (The Woman from Samos)
  • Menander
  • Edited by Alan H. Sommerstein
  • Published online:
    28 May 2018
    Print publication:
    09 January 2014
  • For eight centuries after his death Menander was the third most popular poet in the Greek-speaking world, and his plays, through Roman imitations and adaptations, engendered a tradition of European light drama that extends to our own day. But it is only since 1844 that some of the actual texts of Menander's plays have been rediscovered, mostly in Egyptian papyri. Two of these have given us four-fifths of the script of Samia (The Woman from Samos), a play of deception and misunderstanding in which a marriage that everyone desires almost fails to happen, two women and a baby are almost ruined, and a loving father almost loses his only son, because the people at home and the people abroad have both been doing things behind each other's backs - but somehow everything ends happily after all. This is the first full-scale edition with English commentary and is suitable for upper-level students.

Terence: Hecyra
  • Terence
  • Edited by Sander M. Goldberg
  • Published online:
    28 May 2018
    Print publication:
    21 November 2013
  • Terence's Hecyra raises social, literary and theatrical issues of great interest to modern students of Roman comedy and, indeed, of Roman culture more broadly. The play pays strikingly close attention to the domestic problems of women and experiments boldly with traditional comic forms, not only in its creation of anticipatory suspense, but through its variations on traditional situations and roles and its metatheatrical qualities. In addition, Terence's response in his prologues to the play's two putative failures is important, if tendentious, evidence for the mechanics of theatrical performance in the second century, especially the conjunction of theatrical and gladiatorial shows. This edition opens the play's many interpretive challenges to wider scrutiny while remaining attentive to the linguistic needs of students at all levels.

Sophocles: Oedipus the King
  • Edited and translated by P. J. Finglass
  • Published online:
    29 March 2018
    Print publication:
    05 April 2018
  • For centuries the myth of Oedipus, the man who unwittingly killed his father and married his mother, has exerted a powerful hold on the human imagination; but no retelling of that myth has ever come close, in passion, drama, and menace to the one that we find in Sophocles' Oedipus the King. This new full-scale edition of that classic play - the first in any language since 1883 - offers a freshly constituted text based on consultation of manuscripts ancient and mediaeval. The Introduction explores the play's dating and production, its creative engagement with pre-Sophoclean versions, its major themes, and its reception during antiquity. The Commentary offers a detailed analysis, line by line and scene by scene, of the play's language, staging, and dramatic impact. The translation incorporated into the commentary ensures that the book will be accessible to all readers interested in what is arguably the greatest Greek tragedy of all.

The Mortal Voice in the Tragedies of Aeschylus
  • Sarah Nooter
  • Published online:
    13 October 2017
    Print publication:
    26 October 2017
  • Voice connects our embodied existence with the theoretical worlds we construct. This book argues that the voice is a crucial element of mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in ancient Greek poetry and philosophy, understanding it in its most literal and physical form, as well as through the many metaphorical connotations that spring from it. Close readings then show how the tragedies and fragments of Aeschylus gain meaning from the rubric and performance of voice, concentrating particularly on the Oresteia. Sarah Nooter demonstrates how voice - as both a bottomless metaphor and performative agent of action - stands as the prevailing configuration through which Aeschylus' dramas should be heard. This highly original book will interest all those interested in classical literature as well as those concerned with material approaches to the interpretation of texts.

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