Mozart's Chamber Music with Keyboard

doi:10.1017/CBO9780511751455

Internationally renowned scholars and performers present a wide range of new analytical, historical and critical perspectives on some of Mozart's most popular chamber music: his sonatas with violin, keyboard trios and quartets and the quintet with wind instruments. The chapters trace a broad chronology, from the childhood works, to the Mannheim and Paris sonatas with keyboard and violin, and the mature compositions from his Vienna years. Drawing upon the most recent research, this study serves the reader, be they a performer, listener or scholar, with a collection of writings that demonstrate the composer's innovative developments to generic archetypes and which explore and assess Mozart's creative response to the opportunities afforded by new and diverse instrumental combinations. Manners of performance of this music far removed from our own are revealed, with concluding chapters considering historically informed practice and the challenges for modern performers and audiences.

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Contents

Mozart’s Chamber Music with Keyboard - Half title page
pp i-ii
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Mozart’s Chamber Music with Keyboard - Title page
pp iii-iii
- By Martin Harlow
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Copyright page
pp iv-iv
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Contents
pp v-vi
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Figures
pp vii-vii
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Contributors
pp viii-viii
- By Nicholas Baragwanath, Clive Brown, Martin Harlow, Robert S. Hatten, John Irving, Roman Ivanovitch, Simon P. Keefe, Katalin Komlós, Colin Lawson, Charles Rosen, Robin Stowell, Peter Walls
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Preface
pp ix-ix
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Abbreviations
pp x-xii
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1 - The chamber music with keyboard in Mozart biography
pp 1-24
- By Martin Harlow
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2 - Mozart’s early chamber music with keyboard:
pp 25-44
traditions of performance, composition and commodification
- By Nicholas Baragwanath
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3 - Opus 1, take 2:
pp 45-68
Mozart’s Mannheim and Paris sonatas for keyboard and violin
- By Peter Walls
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4 - Mozart’s ‘Viennese’ sonatas for keyboard and violin according to Ferdinand David:
pp 69-103
a survey of editorial and violin performance practices
- By Robin Stowell
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5 - Mozart’s keyboard trios:
pp 104-122
styles, textures and contexts
- By Katalin Komlós
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6 - A winning strike:
pp 123-137
the miracle of Mozart’s ‘Kegelstatt’
- By Colin Lawson
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7 - An experiment in variation:
pp 138-153
the finale of Mozart’s Piano Trio in G, K.496
- By Roman Ivanovitch
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8 - On instrumental sounds, roles, genres and performances:
pp 154-181
Mozart’s piano quartets, K.478 and K.493
- By Simon P. Keefe
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9 - Enlarging the musical discourse:
pp 182-197
Mozart’s Piano Quartet in G minor, K.478
- By Robert S. Hatten
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10 - Action, reaction and interaction, and the play of style and genre in Mozart’s Piano and Wind Quintet, K.452
pp 198-219
- By Martin Harlow
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11 - Inhabiting Mozart’s chamber music:
pp 220-234
the fortepianist’s tale
- By John Irving
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12 - Reading between the lines:
pp 235-264
the notation and performance of Mozart’s chamber music with keyboard
- By Clive Brown
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13 - Private and public forms of art:
pp 265-278
Charles Rosen on Mozart’s chamber music with keyboard
- By Charles Rosen
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Index of Mozart’s works by Köchel number
pp 279-282
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General index
pp 283-287
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Mozart's Chamber Music with Keyboard

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Contents

Mozart’s Chamber Music with Keyboard - Half title page
pp i-ii

Mozart’s Chamber Music with Keyboard - Title page
pp iii-iii

Copyright page
pp iv-iv

Contents
pp v-vi

Figures
pp vii-vii

Contributors
pp viii-viii

Preface
pp ix-ix

Abbreviations
pp x-xii

1 - The chamber music with keyboard in Mozart biography
pp 1-24

2 - Mozart’s early chamber music with keyboard:
pp 25-44

3 - Opus 1, take 2:
pp 45-68

4 - Mozart’s ‘Viennese’ sonatas for keyboard and violin according to Ferdinand David:
pp 69-103

5 - Mozart’s keyboard trios:
pp 104-122

6 - A winning strike:
pp 123-137

7 - An experiment in variation:
pp 138-153

8 - On instrumental sounds, roles, genres and performances:
pp 154-181

9 - Enlarging the musical discourse:
pp 182-197

10 - Action, reaction and interaction, and the play of style and genre in Mozart’s Piano and Wind Quintet, K.452
pp 198-219

11 - Inhabiting Mozart’s chamber music:
pp 220-234

12 - Reading between the lines:
pp 235-264

13 - Private and public forms of art:
pp 265-278

Index of Mozart’s works by Köchel number
pp 279-282

General index
pp 283-287

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Mozart's Chamber Music with Keyboard

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