Words in Tagalog/Filipino can be either penult-prominent or ultima-prominent. Scholars have been divided on whether the language has stress, or only phonemic vowel length in penults and default phrase-final prominence. Using a corpus of Original Pilipino Music, we find that both prominent penults and prominent ultimas are set to longer notes and stronger beats, even in phrase-medial position. We further find that among pre-tonic syllables, those that would plausibly attract secondary stress are mostly set to longer notes and stronger beats. Text-setting does not faithfully reflect differences in phonetic cues between the two types of prominence, nor is it sensitive to presumed phonetic differences between high and low vowels. We conclude that songwriters’ text-setting decisions reflect phonological stress in Filipino, and that both penult-prominent and ultima-prominent words bear stress.
