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The War of 1812’s end heralded a new era for the courts, and for the nation. Political leaders emboldened by having fought Great Britain to a standstill were eager to lay the groundwork for a new American empire. But adventurous Americans had their own priorities, and privateering on behalf of South American revolutionary governments offered new opportunities for wartime profit. Like the British in the 1790s, Spanish and Portuguese officials demanded that the federal government suppress such freelancing. To preserve relations, the Madison and Monroe administrations dusted off a tool for suppressing maritime violence that previous administrations had largely eschewed – criminal prosecutions for piracy. But a patchwork statutory regime and popular support for South American rebels made convictions difficult to secure. At a deeper level, privateering cases raised thorny questions about the sovereign status of former colonies seeking autonomy. As Congress and the executive branch struggled to adapt to the rapidly shifting political context in the Americas, federal judges expressed renewed doubts about extending their authority onto the high seas. The renaissance of privateering threatened to derail the American imperial project just as it was getting started.
Where does our modern democracy come from? It is a composite of two very different things: a medieval tradition of political participation, pluralistic but highly elitist; and the notion of individual equality, emerging during the early modern period. These two things first converged in the American and French revolutions – a convergence that was not only unexpected and unplanned but has remained fragile to this day. Democracy's Double Helix does not simply project and trace our modern democracy back into history, assuming that it was bound to come about. It looks instead at the political practices and attitudes prevailing before its emergence. From this perspective, it becomes clear that there was little to predict the coming of democracy. It also becomes clear that the two historical trajectories that formed it obey very different logics and always remain in tension. From this genuinely historical vantage point, we can therefore better understand the nature of our democracy and its current crisis.
Kant’s description of the moral politician in ‘Perpetual Peace’ is the most detailed statement of his template for legislative reform. I argue that the moral politician responds to criticisms of Kant’s earlier ‘Theory and Practice’ essay by Friedrich Gentz and August Wilhelm Rehberg. Gentz and Rehberg objected to: Kant’s treatment of the relationship between theory and practice in politics, his conception of popular sovereignty, and his account of political transformation. By showing that Kant used the moral politician to rebut Gentz and Rehberg, I highlight an underappreciated dimension of ‘Perpetual Peace’ while situating Kant’s political stance in its historical context.
This chapter engages with an important tradition of Marxist literary criticism – principally via Fredric Jameson – that has insisted on the insufficiencies of the naturalist novel as a vehicle for revolutionary impulses. It takes up Jameson’s claims as a spur to reconsidering the contested politics of Zola’s best-selling strike novel Germinal (1885). The chapter conceives of the strike as a particular vehicle for the idealist imagination that Zola obsessively discredits – casting it as a form of ‘impossibilism’, an epithet applied to the earliest manifestation of French Marxism. Embedded in contemporary schisms on the Left, Zola’s strike novel is shown to negotiate with debates about the ethical and political legitimacy of this weapon of working-class struggle, as well as the figure of the ambitious strike leader. Zola’s critical account of political idealism ultimately entails a set of anxious reflections on the naturalist novel’s own modes of representation, as well as its equivocal sense of political purpose.
The introductory chapter explains and legitimates the approach of the book: why does it make sense to write the long-term (pre)history of democracy as a history of two distinct phenomena – pluralistic participation and individual equality – and of their convergence? Why can it be argued that this convergence was not unavoidable and is not irreversible?
The development of institutionalised political participation is shown for nine of the most important early modern European states – or else those, such as Switzerland, that figure prominently in the history of democracy. The focus is on not only the ‘long’ seventeenth century and the ruptures it created but also the general continuities in essentially all early modern states: they all featured some mode of institutionalised central political participation, but it was always geared towards the participation of the top social elites only.
This chapter asks: how did institutionalised political participation, individual equality and, in particular, their fusion survive into and develop during the nineteenth century, and what can we learn from the historical genesis of democracy as a composite of two different elements, as sketched in this book, for the predicament of democracy today?
The chapter deals with the history of the Hussite revolution in the first half of the fifteenth century in Bohemia. It focuses on the discourse of heresy, which underwent significant differentiation in the late Middle Ages as political conditions became increasingly complex.
From 1926, O’Casey became well known as a critic of Irish nationalism. Some commentators felt that the playwright presented a grotesque distortion of historical events, and a slander on those men who had died for Ireland, including Patrick Pearse. This chapter examines O’Casey’s 1926 play The Plough and the Stars, O’Casey’s relationship with Pearse, and the dramatist’s prose history The Story of the Irish Citizen Army (1919). We see how Irish nationalism changed during the first half of O’Casey’s life, and the way in which his attitude to nationalism also altered, with this chapter making the case that the relation between O’Casey and Irish nationalism was far more shifting and nuanced than has often been perceived.
This chapter sets O’Casey’s political activism within its contemporary contexts. The chapter focuses on the years before the Easter Rising, which were formative for O’Casey’s political development, and shows how the would-be writer developed a political and cultural appreciation through membership of organisations such as the Gaelic League. Readers will discover how O’Casey’s activism in the Irish Republican Brotherhood (IRB) and in the Irish Citizen Army (ICA) shaped the perspective that informed his iconoclastic views on the revolutionary events of 1916-23.
Sean O'Casey is one of Ireland's best-known writers. He is the most frequently performed playwright in the history of the Irish National Theatre, and his work is often revived onstage elsewhere. O'Casey is also widely studied in schools, colleges, and universities in the English-speaking world. This book offers a new contextualisation of this famous writer's work, revisiting his association with Irish nationalism, historical revisionism, and celebrated contemporaries such as W. B. Yeats and Lady Gregory. The volume also brings O'Casey's work into contact with topics including disability studies, gender and sexuality, post-colonialism, ecocriticism, and race. Sean O'Casey in Context explores a number of existing ideas about O'Casey in the light of new academic developments, and updates our understanding of this important writer by taking into account recent scholarly thinking and a range of theatrical productions from around the globe.
Is the world facing creeping fascism? And if so, how is it configured in contemporary circumstances? A wide-ranging debate has developed in recent years among scholars increasingly worried by the weakness of liberal democracy, and the growing electoral power of national populist movements in Europe. In this account, the rise of the current wave of populism was preceded, and is now accompanied by an important theoretical elaboration, initiated in the 1970's in France by the intellectuals of the Nouvelle Droite and continued by Russian, American and Latin-American intellectuals and political strategists. The theoretical goals of this meta-political elaboration is a reformulation of the values of cultural diversity, identity politics, and post-colonialism, a process which in this Element the author defines as the attempt to decolonize the 'postcolonial Western mind'.
Proletarian realism’s aspiration to depict the social totality stresses the causal connections among antagonistically opposed classes in capitalist society, a critical examination of the ideological standpoints accompanying this antagonism, and the working-class struggle for liberation from the yoke of capital. The sense of dialectical possibility informing many works of US proletarian realism – which were largely produced during the Great Depression – reflects the abiding influence of the Bolshevik Revolution. While guided by a sense of the social world as a process in motion, thus “drawing their poetry from the future,” as Marx wrote, works in this genre frequently stress the fetters – material but above all ideological –preventing the proletariat from grasping the social totality in which it is inserted. Proletarian novels deploy a range of techniques, both realist and modernist, to bring to the awareness of the reader historical forces often beyond the ken of individual characters. Realism is thus a matter not just of style and structure but also of epistemology – the text’s aspiration to grasp the social totality is an aspiration toward the truth that will liberate the proletariat from its chains.
This chapter examines the political culture of the fragile Weimar Republic, focusing in particular on its tumultuous beginning and its calamitous end. Rather than narrating a story of unavoidable doom or one that focuses exclusively on Weimar’s cultural achievements, it stresses the complexity and the multifaceted crises that marked this era of German history. This essay considers the particularly German elements of the Weimar period but also the ways in which Germany’s post-First World War experience can be situated within a broader regional context.
Rudolf Virchow is regularly celebrated as one of the fathers of social medicine. This chapter explores the context in which Virchow wrote and published his famous statement that: “Medicine is a social science, and politics nothing but medicine at a larger scale.” I discuss Virchow’s epidemiological fact-finding mission to Upper Silesia and his involvement in the revolutionary events of 1848 and 1849. I also look at the ways in which Virchow’s achievements were framed during his lifetime and in the early twentieth century, when medicine in Germany was perceived, by many, to be undergoing a crisis, caused by materialism, specialization, and a growing dominance of laboratory medicine –developments then seen as in-line with Virchow’s aims. I argue that what we think of as social medicine is an American tradition which emerged at a particular point of time in the mid twentieth century and that the image of Virchow as the father of social medicine was created then, by scholars and activists such as George Rosen and Henry Sigerist, to provide this new tradition with a longer pedigree.
What does empire look like from spaces where multiple imperial projects converge? Through analysis of Molla Nasraddin, a pioneering satirical magazine from the early twentieth-century Caucasus, I reveal local engagements with empire that defy traditional binaries of center versus periphery, indigenous versus foreign, and resistance versus accommodation. While critical scholarship has powerfully demonstrated how imperial power shapes local life—from technologies of rule to cultural categories and patterns of inequality—such analysis is typically conducted through the lens of a single empire. In the Caucasus, where Russian, Ottoman, and Iranian empires overlapped, Molla Nasraddin developed a distinctive blend of visual satire, character types, and multilingual wordplay that functioned as a form of satirical pedagogy, cultivating what I term “inter-imperial literacy”: the capacity to recognize deep connections between neighboring imperial worlds while maintaining critical distance from each. Through sustained correspondence with readers across three empires during their near-simultaneous revolutionary upheavals (1905–1908), the magazine gave voice to a public defined not by fixed identities but by their capacity for protean transformations across imperial boundaries. While nation-states would eventually redraw the Caucasus, Molla Nasraddin provides a window into a moment when historical borderlands—not imperial centers—offered the most penetrating insights into the workings of empire. In these spaces, elements adopted from competing empires become creative resources for local expression, while apparent cultural alignments conceal critical distance, enabling views of empire at once intimate and askance.
This chapter examines the coup d’état carried out by General Juan Velasco Alvarado in 1968, a coup that radically differed from the series of military takeovers in the Southern Cone of South America during the height of the Cold War. It seeks to analyze the causes that led to the coup, its principal objectives, and how the United States, in particular the Nixon administration, responded to Peru’s challenge to relations with the US. It further addresses a series of questions such as who the coup makers were, what their social backgrounds were, and what kind of resistance the new regime faced in what became, over the next several years, a radical effort to transform one of the most tradition-bound countries in Latin America in order to modernize it and bring it into the twentieth century.
Far from representing the abandonment of civilian government by conservative, pro-military forces in Washington, DC, Bolivia’s 1964 coup d’état occurred over strident objections from the United States. In describing this surprising story of local Cold War golpismo (coup waging) in Latin America, this chapter analyzes the overlapping trajectory of three key groups of actors: the deterioration of the ancien régime of middle-class nationalists (los golpeados), the widespread involvement of liberal developmentalist US officials (los gringos), and the multivalent ideologies and strategies of civilian and military plotters (los golpistas) who brought down twentieth-century Bolivia’s most powerful leader. The case study reveals a superpower’s inability to micromanage political development on the periphery, and it highlights the underappreciated intimacy between civil society and military officers in the social phenomenon known as Latin American golpismo.
The forces that fight asymmetric wars are so distinct that one side avoids direct military confrontation in favor of political, social, or otherwise unorthodox means of resistance. These conflicts have been a mainstay of modern times, though scholars have often separated them into various designations by era. Observers have referred, in chronological order, to Indian warfare, petite guerre (small war), guerrilla warfare, irregular or revolutionary war, and terrorism. The proliferation of labels over time has obscured the continuity of asymmetric wars throughout modernity. Stark distinctions in resources and capabilities have shaped the reasons why states and societies have decided to fight, and the manner in which they have fought. Across the modern era, mismatches arose in the domains of technology, intelligence production, and law. But in recent decades, so-called weak powers have neutralized many of the typical advantages of strong military states.
Over the past two decades, there has been a resurgence of authoritarianism around the globe. The recent wave of autocratization – the declining quality of institutions for clean elections, freedom of expression, and freedom of assembly – stalled the global spread of democratic ideas and principles. A related global trend is the unprecedented frequency, scope, and size of anti-government protests. Women play a vital role in pro-democracy movements and revolutions. Yet, women’s engagement in contentious politics often appears to be invisible in the public discourse. This chapter presents a typology of women’s participation in a revolution. In addition, this chapter provides background information about the Revolution of Dignity and its participants, identifies the main trends in gender inequality in Ukrainian society, and describes data sources.