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Independent Christian Churches were an important aspect of African anticolonial activism, but the political afterlives of these movements in the immediate postcolonial period have been broadly overlooked. This article studies the African Independent Pentecostal Church, focusing on its entanglement with the politics of reconciliation and state-building in a decolonising Kenya. During the 1950s Mau Mau uprising, the church lost its entire portfolio of land, churches, and schools. The article explores how church adherents sought to re-establish themselves on these holdings. These contests reveal that churches were political agents engaged in debates about the boundaries of postcolonial political community and the nature of post-conflict reconciliation. Churches’ roles as landowners and education providers meant denominational rivalries masked political struggles over justice for past violations. Embedded in intra-ethnic conflicts, churches negotiated with elites seeking to establish ethnic constituencies. Through this conflict and compromise, the brokered nature of the postcolonial nation-building project is revealed.
In “Realism and the South Asian Novel,” Pranav Jani examines three Anglophone South Asian novels from the turn of the twenty-first century to reveal the complicated relationship between realism and postcoloniality. Often, Anglophone novels after Rushdie’s Midnight’s Children are read as if their postcoloniality implies a postmodernist distancing from realism. But Jani finds that despite their metafictional playfulness and disruption of linear narration, Kamila Shamsie’s Kartography, Shyam Selvadurai’s Funny Boy, and Arundhati Roy’s The God of Small Things offer realist practices that illuminate historical truths about postcolonial South Asia. Rather than being anti-realist, Jani contends, these novels expand the real to include epistemological and self-reflexive processes while they criticize social oppression, elite complicity, sectarian and ethnic violence, caste apartheid, and patriarchy. Like the classic social realist novels of the past, recent Anglophone novels are attentive to questions of power and inequality – even as they experiment with form.
In 2022, the Centre for Global South Asia (CGSA) at Royal Holloway University of London developed a small research project entitled ‘Exhibit Asia’. The aim was to explore the use of exhibitions in nation-making in postcolonial South and East Asia in contrast to the scholarly preoccupation with investigating the region’s history of museums and exhibitions primarily in a colonial context. Its academic outcomes were to be a conference and related publication; but we also wanted our research to be relevant to our students. The resulting intervention in the teaching and learning of history took the form of a curatorial fellowship for an international cohort of ten students from Taiwan, Japan, India, Pakistan and the UK, leading to a co-curated online exhibition. The first section of this article sets out the development, design and delivery of the fellowship and discusses the viability and relevance of such projects. The subsequent three sections are co-authored by several of the participating students. They outline their methods, reflections and learnings; share their insights on the role of exhibitions in perceptions of Asia in the UK today; and analyse responses to ‘Tea and Tigers’, the online exhibition that was the outcome of the fellowship.
This entry in the dossier about Joe Cleary’s Modernism, Empire, World Literature asks questions about it based on recent scholarship by others working with the same key terms. The scholarship of David Damrosch, Franco Moretti, and Mary Burke provides productive interplays with Cleary’s readings, revealing strengths of the current volume as well as sites for further investigation.
Critical stances towards English Medium Instruction (EMI), and to a lesser extent the similar use of French, Portuguese and Spanish Medium Instruction in former colonies of European states, have been growing since ‘independence’ in the 1960s. This discussion contextualises ‘Southern’ critiques of EMI within early decolonial debates, ‘southern multilingualisms’ and ‘transknowledging’ (reciprocal translation and exchange of knowledge), which are often invisibilised in EMI. This is illustrated through critiques in two former British territories: the first, with critiques that circulated in Southern Africa from the 1960s; the second, with critiques that surfaced four decades later in Australia. Whereas EMI is readily recognised in South Africa (with 8 per cent L1 English speakers), Australia (with 250 Aboriginal linguistic communities at colonisation and 250 years of in-migration from all continents) is an EMI context for 23–30 per cent of citizens. Aggressive marketing of Australia as an educational destination for students from the Asia-Pacific amplifies its multilingual and EMI reality in higher education. The critique of EMI includes a history of cognitive capture, debt-trap diplomacy and educational failure. Included are key agents that advance EMI, invisibilise multilingualisms and perpetuate coloniality despite the claims of social justice and access that accompany EMI rationales.
Palliative care, which was formally established in the Global North, is now recognized globally as part of health care. As part of a larger study, we were interested in how decision-makers at a leading hospice in South Africa understood the changing local context and its influence on the delivery of services. We were interested in how the concept of “total pain,” as outlined by Saunders, applies in a very unequal and under-resourced society in the shadow of a long, oppressive colonial, and apartheid past.
Methods
We conducted face-to-face semi-structured interviews with 12 staff at St Luke’s Combined Hospices in Cape Town, South Africa, and analyzed the data following Braun and Clarke’s thematic analysis approach.
Results
Four major themes emerged from the data. First, St Luke’s has faced the challenge of serving a larger and far more diverse population than it had under apartheid. Second, the organization has undergone a process of rethinking holism and holistic services offered to palliative care patients in this context. Third, diversity and cultural sensitivity are key to how services are offered, and finally, the concept of “total pain” in this context is linked to questions of power and empowerment.
Significance of results
This study is small and situated within a particular context, and it is clear that more data are needed. Nevertheless, the study shows that considering the Global South and postcolonial context is important for thinking about total pain and a global system of palliative care which is sensitive to the majority world context.
Although poetic modernism marked the height of Gerard Manley Hopkins’s seminal influence, British, American, and postcolonialist poets around the globe (including in Ireland, Nigeria, Australia, Canada, and the Caribbean) continue to engage intensely with his work. Many have learned to write in their own idiosyncratic voices while honouring or debating with Hopkins, and even while intentionally echoing his innovative techniques or his ecological and spiritual themes. The topic of Hopkins’s poetic legacies is ripe for further scholarly attention. Even a brief assessment of writers he has influenced reveals that his voice has deeply shaped the contours of contemporary anglophone verse.
This Element analyses the autobiographies of historians from a global perspective and looks at all eras, from antiquity to the present day. It includes twenty autobiographies: Caesar's and Lucian of Samosata's memories in antiquity; an autobiography of a medieval king such as Peter IV of Aragon; Vico's, Gibbon's and Adams' intellectual self-accounting in modernity; autobiographical revelations and social activism of twentieth century women historians such as Carolyn Steedman, Jill Conway and Gerda Lerner; classical Chinese and Islamic traditions through the autobiographies of Sima Quian and Ibn Khaldun; the perplexities inherent in the modernisation of Japan (Fukuzawa Yukichi), China (Gu Jiegang), India (Nirad Chaudhuri) and Egypt (Taha Hussein); postmodernists such as Rosenstone; and traumatic postcolonial experiences in Africa (Bethwell Ogot), Latin America (Carlos Eire) and Southeast Asia (Wang Gungwu). This Element proposes a literary and historical approach to these autobiographies, emphasising its historiographical dimension and value.
The Modi dispensation provides a unique vantage for assessing the role, program, and self-understanding of the emergence of a local, indigenous style of theology within Roman Catholicism in India during the Nehruvian era. The style has often been linked to the internal history of Catholicism in the aftermath of Vatican II. In this article, the emphasis is rather located in the Indian context, and more specifically in the Nehruvian India. A special role in this relationship between Indian theologians and Nehruvian India was played by the category of difference that allows an appropriation of Western modes of thinking and yet marks a distance from them. I offer some consideration of the complex implications of this approach in theology.
This chapter deals with the Algerian language regime and its formation/operation during the history of contemporary Algeria, making the Amazigh language activism the common thread through which this language regime has been shaped. The objective is to present a particular postcolonial language regime, which reflects an entire political system. Indeed, it approaches the situation of languages from a double perspective: the status conferred and the status anticipated/expected. The balance, or not, between the two levels helps to define the type of language regime and its stability. However, in this case study, the fact that the Amazigh language is marginalized and far from meeting the expectations of those who claim it, means that the gap between the two statuses is significant. Thus, taking the Amazigh claims as a guideline for approaching the Algerian language regime seems to be the most efficient way to understand and present this language regime. It is the Amazigh language that has experienced the most intense activism. This seems to have weighed the most in the Algerian language regime, pushing it from the inside to evolve, in particular through the critical junctures of political crises.
Against both liberal narratives and postcolonial critiques, this article argues that sovereignty-as-responsibility – the theory of sovereignty embraced in the responsibility to protect (R2P) – is part of a problem space that emerged with decolonization, rather than the end of the Cold War. The internally displaced person (IDP), the vehicle which Francis Deng used to critique Westphalian sovereignty, had to be theorized against the rise of the postcolonial state. In recovering the questions motivating Deng, we find a stark politics driving his work on IDPs and sovereignty. Against the claim that the heart of R2P is armed coercive intervention for humanitarian purposes, Deng used sovereignty-as-responsibility to promote a profoundly political critique of the colonial legacy and the postcolonial state, which was taken up by states of the Global South in debates on the ratification of R2P. Recovering Deng's work on IDPs and sovereignty-as-responsibility highlights R2P as itself a site of contestation, and offers a case for how ideas emerge ‘from below’ in global politics.
The Preface outlines the origins, motivations, history, and stakes of the project that led to the publication of this book, and it discusses the project’s relationship to scholarship in Indigenous Studies and engagement of key works in that field. It explores what an approach informed by Indigenous Studies can bring to the history of the human sciences, and how it might build upon existing scholarship on this topic.
The introduction sets the book’s agenda: to offer a novel account of crusade culture from the Mamlūk reconquest of Acre (1291) to the Ottoman siege of Constantinople (1453) drawing on Middle English romances and their contexts in various literary, historical, and legal documents (in English, French, Occitan, German, and Latin). The political culture to which post-1291 crusade romances belonged, I argue, was ambivalent, self-critical, and riddled with anxieties. These anxieties were about issues as fundamental and diverse as God’s endorsement of the crusading enterprise, the conversion of crusaders to Islam, sinfulness and divisions within the Christian community, and the morality of violence. After situating the book’s key claims within debates on Edward Said’s Orientalism and crusade literature, I present its methodology: engaged historicism, attention to how romance writers adapted their sources, and analysis of emotional rhetoric. The book’s contributions to the history of emotions and Middle English studies are discussed, as are the new insights it provides into the historical dimensions of the genre of romance.
In the 21st century, educators’ work is arguably more complex and more needed than ever before. The last six decades have witnessed significant changes involving global economic forces, increased competitive production modes, climate change and its ramifications on human and non-human beings. We have felt the impact in education of a pandemic, which seemed to ‘slow us down’, amid a fast-moving and ever-developing technological landscape which had, and continues to have, significant impacts on people’s ways of life. There has been a merging of finance, trade and communication knowledges; societal instability; and a global resurgence in right-wing politics and social movements which are exercised around assumed threats of immigration, ‘race’ and ethnicity and other forms of diversity.
The period from the Mamlūk reconquest of Acre (1291) to the Ottoman siege of Constantinople (1453) witnessed the production of a substantial corpus of Middle English crusade romances. Marcel Elias places these romances in dialogue with multifarious European writings to offer a novel account of late medieval crusade culture: as ambivalent and self-critical, animated by tensions and debates, and fraught with anxiety. These romances uphold ideals of holy war while expressing anxieties about issues as diverse as God's endorsement of the crusading enterprise, the conversion of Christians to Islam, the sinfulness of crusaders, and the morality of violence. Reinvigorating debates in medieval postcolonialism, drawing on emotion studies, and excavating a rich multilingual archive, this book is a major contribution to the cultural history of the crusades. This title is part of the Flip it Open programme and may also be available open access. Check our website Cambridge Core for details.
In 1975, the Ugandan state established an Economic Crimes Tribunal to investigate and penalize smuggling, hoarding, overcharging, and other commercial malfeasance. In the coming years, innumerable Ugandans were arrested and charged with contravening the state's economic regulations. Prior observers have seen this as another instance of a capricious state, but in this article, I demonstrate the popular investment in economic regulation. Ugandans demanded better stewardship of money and things because they were aghast at the ungovernable world of commodities. For one thing, the inaccessibility of so-called “essential commodities” — sugar and salt, preeminently — impeded ethical expectations surrounding social reproduction, hospitality, and masculine respectability. More troubling, essential commodities were not completely unavailable; rather, they were available on exclusionary and confusing terms. Relative deprivation was more upsetting than absolute scarcity because it offended a sense of consumptive entitlement. As a result, it was not only the state that accused citizens of economic crimes. There were widespread accusations in which allegation and denunciation circulated among neighbors, families, and bureaucrats in an urgent effort to discipline commodities and people.
During the Nigerian Civil War, France became the main supplier of military assistance to the secessionist Biafra. In a neo-imperial pursuit to weaken the potential regional hegemon Nigeria, it secretly provided arms and ammunition to the Biafrans in collusion with Côte d'Ivoire and Gabon. Yet the driving force behind this Franco-African arms triangle was not the Elysée, but the Ivorian president Félix Houphouët-Boigny. Newly unearthed documentary evidence from French archives enables this article to break new historiographical ground: firstly, to show the Elysée's sheer reluctance to militarily assist Biafra and lack of a coherent policy in doing so; secondly, to confirm Houphouët-Boigny as the “mastermind” behind the arming of Biafra, as well as to identify his Cold War motivations; thirdly, to uncover Gabonese president Omar Bongo's increasing agency and influence in the scheme; fourthly, to demonstrate that it was the Ivorian and Gabonese presidents who transformed the arms triangle into a square by bringing the Rhodesians and, especially, the South Africans in; and, finally, to retrace the emergence and functioning of the “African-French” military assistance to Biafra at the policy level not only from Paris's, but also Abidjan's and Libreville's perspectives.
In January 1967, under the infamous military head Joseph-Désiré Mobutu, the Democratic Republic of Congo nationalized its mining industry based on anticolonial rhetoric of “economic sovereignty.” Only two years later, the same Mobutu government welcomed foreign companies and investors with open arms to the inaugural Foire Internationale de Kinshasa. Even at this crucial postcolonial moment when ideas of economic independence and self-sufficiency had become so highly valued, an attachment to — even affinity towards — foreign capital persisted throughout Congolese politics. This article explores the political and intellectual tensions that arose from the postcolonial utilization of foreign capital for state consolidation and synthesizes these contradictions into a broader understanding of early development approaches in Mobutu's Congo. In contrast to those who have framed the Congolese leader's ideology as a rearticulation of colonial logics or the authoritarian whims of an individual, I argue that these early notions of Mobutist development should be understood as a kind of “worldmaking,” emerging from an anticolonial ideology that asserted Congo’s economic sovereignty while simultaneously inserting itself into the global streams of finance. By tracing the Mobutu government's fluctuating relationship to foreign finance, this research offers a longer history of the “neoliberal moment” in Congo — one in which the intellectual underpinnings for liberalization had percolated in Congolese nationalist politics for several decades.
This introduction offers a theoretical model for reading the relation between the conditions that determine the possibility of literary expression, and those possibilities that literature itself invents. It is in the relation between these two forms of possibility, the introduction argues, that the politics of literary form resides.
The last two decades of critical thinking have seen a quite radical shift in our understanding of this relationship. The introduction traces these shifts, and places the essays collected in this volume (written over that two decade period) in the context of such theoretical and political transformations. The passage of literary thinking in the current century, the introduction argues, requires a new critical understanding of literary possibility, which it is the task of these essays to perform.
Across sub-Saharan Africa, South Asia, and the Caribbean, the English-language essay engages with colonialism and postcolonial reality to embody forms of life writing that grapple with the provocative confluences of English education, local context, and migrant desire. While conflicts between colonial legacy, postcolonial liberation, and creative imagination assume urgency with pioneers such as V.S. Naipaul and Chinua Achebe, linguistic limits on ethical and political values emerge as defining concerns for apartheid-riven writers such as Nadine Gordimer and Zoë Wicomb, while the scope and constraints of postcolonial representation energise the essays of Shashi Deshpande and Amit Chaudhuri. The fluid and constantly changeable identity of the postcolonial subject that drives the aspirations of the postcolonial essay finds language in its promiscuous texture and heterogeneous structure, its dalliance with analysis, narrative, and image, and its perpetually wandering and unfinished form.