While it is important to trace Emerson’s main positions, one misses the living nature of his philosophy unless one also takes account of the motions, moods, and patterns within his essays, and the ways he dramatizes instability, spontaneity, and inconsistency. This emphasis is found in Goodman’s discussions of “History” in Chapter 1, “Friendship” in Chapter 3, “Nominalist and Realist” in Chapter 4, “Manners” in Chapter 6, “Experience” in Chapter 7, “Nature” in Chapter 9, and “Illusions” in Chapter 10. Chapter 2 distinguishes the sheer variety of skepticisms in Emerson’s thought, about the world and other minds, but also about mystical experiences that refuse “to be named” or are “ineffable.” It also attends to the differences between the “modern” tradition of skepticism as doubt, and skepticism as a form of life, with Emerson’s essay on Montaigne a key source for his idea of a “wise skepticism.”

The Afterword recalls the importance of “emphatic experiences” throughout Emerson’s thought, especially in Nature, “The Over-Soul,” “Circles,” and “Spiritual Laws.” It also registers the many oppositions discussed in Emerson, the Philosopher of Oppositions: Reality and Illusion in “Experience,” “Unity” and “Variety,” “rest” and “motion,” in “Plato”; dead language and living poetry in “The Poet,” nominalism and realism in “Nominalist and Realist,” fate and freedom in “Fate.” Emerson “accepts” his “contrary tendencies” by building them into his essays, one after the other: “‘Your turn now, my turn next,’ is the rule of the game.” Skepticism pervades Emerson’s thought, as he registers doubts about knowledge, other minds, freedom, or meaning. But skepticism can also be understood as a way of life, as in ancient Greek philosophy and in Montaigne’s Essays, and Goodman argues for the attractions of Emerson’s own version of the skeptical life, what he calls a “wise skepticism.”