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This chapter is about the flourishing of a variety of distinctively postmodern ‘alternative realisms’ in the early Twenty-First Century, which are predicated on the ontological questions Brian McHale famously identified as a recurrent element of postmodernism. It shows how a range of novels – especially examples by David Mitchell, Ali Smith, Maggie Gee and Kazuo Ishiguro – are charged with a postmodern sense that literature evokes a ‘plurality of worlds’, as dream-logic and mundane reality collide in comic and destabilizing ways, and the boundary between the mundane and the magical is rendered porous. These novels, the chapter contends, might productively be considered apocalyptic, a form of narrative in which veiled, hidden or buried stories are revealed. As a result, twenty-first-century alternative realism redoubles the impetus of late twentieth-century postmodernism to convey a distrust of authoritarianism by preserving a sense of the sublime.
The Introduction presents the central ideas of the book. The major theme is acculturation. Dominant forms of ethnohistory discuss Native peoples of the Americas and the ways they responded to Spanish political domination. This book reverses the approach by analyzing how non-Native women adapted to their predominantly Native Mesoamerican cultural environment. Witchcraft and sorcery and their suppression by inquisitions and ecclesiastical courts represent the particular entry point for understanding these processes of acculturation. Non-Native women in this book were Spanish, Canarian, North African, Basque, and Senegambian. They adopted Mesoamerican rituals, such as corn hurling (tlapohualiztli), Nahua healing and midwifery, and peyote consumption, and spoke Nahuatl in everyday lives. Nahuatl loanwords in Spanish, such as metate, tianguis, and patle, symbolize the processes of acculturation. This book studies the earliest forms of non-Native women adapting Mesoamerican sorcery, magic, and healing, limited to the period 1521–71.
This chapter analyzes magic and attitudes toward magic in early modern Spain. The time period for review is primarily the sixteenth century. The chapter summarizes basic Spanish terminology such as hechicería, bruja, and sortilegio. There are two elements to this discussion. First, the chapter examines the cases of famous witch crazes in the Basque region of Spain in 1525 and 1609–11 in Zugarramurdi. There is a lot of popular imagery concerning witch crazes, seen for example in Goya’s painting of the Aquelarre, or the witches’ sabbath. In reality, Catholic courts and the Inquisition were skeptical of the existence of witches. The chapter analyzes some specific anti-sorcery writings such as treatises by Martín de Arlés and Martín de Castañega. It also looks at inquisitor manuals such as those by Alfonso de Castro, Nicolau Eimeric, and Diego de Simancas. Furthermore, this chapter examines the role of royal law in Siete Partidas in establishing jurisdiction over witchcraft. The chapter also includes some observations about uniquely Spanish types of magic and folk healing, such as the belief in the evil eye, herbal remedies, and Saint John’s Night.
When men and women in early medieval England thought about the world around them, they did so in ways that often strike us as strange. In their surviving writings, we are confronted continually with unfamiliar ideas – about the creatures and beings which populated the world, about the forces and phenomena which shaped it, and about the ways in which human beings might enact change upon it through ritual, magic, and prayer. Although unfamiliar, these ideas give us important indications of how early medieval English thinkers characterized and categorized their surroundings and their experiences. Of substantial interest to many of them was the question of how they might distinguish correctly between what was 'natural' in the world, and what was not. This Element examines what that distinction meant to the inhabitants of early medieval England, and under what circumstances they felt compelled to explore it.
This chapter provides examples of how attention plays an important role in our everyday lives. Real-world examples are used to explain the motivations behind cutting-edge attention research being done in neuroscience labs. These include distracted driving, airport security screening, and radar and sonar monitoring. Vigilance and the ability to sustain attention are introduced as critical mental processes for success at certain jobs. The influence of attention on reading and memory, and the choice of whether to study in silence or with music are discussed. Lapses of attention are described, including how these can have a range of consequences, from the brief embarrassment of not knowing what someone just said to us to the potentially fatal effect of not attending to our driving. Theories of joint attention and social-gaze orienting are introduced to explain how our attention is linked to those around us. The purposeful misdirection of a person’s attention, at multiple levels, by skilled magicians is linked to core processes of attention and perception. This chapter also introduces the idea of training attention, including the effects of playing video games, and explains how proper training protocols require detailed knowledge of the mechanisms of attention.
Chapter 4 discusses the sign of the cross, another gesture with a long history going back to the early church. In the Middle Ages the cross was believed to have power to protect against evil, and was widely used both as a gesture of everyday blessing and in rituals and charms of healing. After the Reformation its use was discouraged, but it survived in the Prayer Book rite of baptism, where the minister was instructed to trace a cross on the child’s forehead. This necessitated a radical transformation in its meaning, removing the associations with exorcism and purification and redefining it simply as a symbol of allegiance to Christ. Yet the belief in the apotropaic power of the cross persisted in early modern England and was reflected both officially, in the ritual of the royal touch, and unofficially, in the use of the gesture as a form of protection against witchcraft. Even among theologians who regarded the cross as symbolic, there was still a sense that it was not ‘merely’ symbolic but retained some kind of operative power to effect change.
Gun culture is properly measured by a population's emotional and symbolic attachment to guns and not by rates of gun ownership. Using data from the Baylor Religion Survey (wave 6), we find that nearly all gun owners feel that guns provide them with a physical sense of security (Gun Security), but a distinct and crucial sub-set of owners express an additional and strong attachment to their weapons (Gun Sanctity). Gun Sanctity measures the extent to which owners think their guns make them more patriotic, respected, in control, and valued by their family and community. We propose that Gun Sanctity is a form of quasi-religious or magical thinking in which an object is imbued with unseen powers. To assess this proposal, we look at the extent to which gun ownership, Gun Security, and Gun Sanctity are related to traditional religion and various forms of magical thinking, namely, (a) conspiratorialism, (b) the belief that prayer can fix financial and health problems, and (c) support for Christian Statism, a form of American theocracy. We find that Gun Sanctity is highly predictive of different forms of magical thinking but is often unrelated to more traditional religious practices and beliefs.
How did religious and political debates that had only recently generated violent conflicts become relatively peaceably conducted in growing numbers of publications and clubs?
While the judicial machinery of early modern witch-hunting could work with terrifying swiftness, skepticism and evidentiary barriers often made conviction difficult. Seeking proof strong enough to overcome skepticism, judges and accusers turned to performance, staging 'acts of Sorcery and Witch-craft manifest to sense.' Looking at an array of demonological treatises, pamphlets, documents, and images, this Element shows that such staging answered to specific doctrines of proof: catching the criminal 'in the acte'; establishing 'notoriety of the fact'; producing 'violent presumptions' of guilt. But performance sometimes overflowed the demands of doctrine, behaving in unpredictable ways. A detailed examination of two cases – the 1591 case of the French witch-demoniac Françoise Fontaine and the 1593 case of John Samuel of Warboys –suggests the manifold, multilayered ways that evidentiary staging could signify – as it can still in that conjuring practice we call law. This title is also available as Open Access on Cambridge Core.
One of the most remarkable features of the current religious landscape in the West is the emergence of new Pagan religions. Here the author will use techniques from recent analytic philosophy of religion to try to clarify and understand the major themes in contemporary Paganisms. They will discuss Pagan concepts of nature, looking at nature as a network of animated agents. They will examine several Pagan theologies, and Pagan ways of relating to deities, such as theurgy. They will discuss Pagan practices like divination, visualization, and magic. And they will talk about Pagan ethics. Their discussions are based on extensive references to contemporary Pagan writings, from many different traditions. New Pagan religions, and new Pagan philosophies, have much to contribute to the religious future of the West, and to contemporary analytic philosophy of religion.
War has been a central part of American life in the twentieth century, but paradoxically the historical profession has been deplorably inattentive to its study. Military history is seen as largely a popular genre of history done by amateurs for what academic historians considered an unsophisticated readership. This chapter nevertheless demonstrates the important contributions made by two military historians whose research supported and extended the orthodox interpretation. They showed that American decision makers were influenced by facts on the ground, especially a massive Japanese buildup to defend against an American invasion which helped impel the decision to use the bomb. Military history is increasingly incorporating cultural and social history, recognizing that war embraces much more than politics and is always an expression of culture. We discuss how recent work that integrates military history with cultural and social history has helped it gain more academic respect and has contributed to further understanding of the Hiroshima decision.
This Element takes as its remit the production and use of amulets. The focus will be on amulets with no, or minimal, textual content like those comprising found stone, semi-precious gem and/or animal body parts. That is a material form that is unaccompanied by directive textual inscription. The analysis considers this materiality to understand its context of use including ritual and metaphysical operations. Through discussion of selected case studies from British, Celtic, and Scandinavian cultures, it demonstrates the associative range of meaning that enabled the attribution of power/agency to the amuletic object Uniquely, it will consider this material culture from an interdisciplinary perspective, drawing together insights from the disciplines of cultural studies, religious studies, 'folk' studies, archaeology and Scandinavian studies. It develops the concept of 'trans-aniconism' to encapsulates an amulet's temporal relations and develops the proposition of 'landscape amulets.'
A Greek hymn is selected among other examples in the corpus of Greek ‘magical’ papyri written in Egypt during the Roman Imperial time. Addressed to the Moon goddess in a plurality of forms and names, it draws a complex portrait of a powerful divinity for love affairs. The incantation weaves innovative denominations together with a poetic and ritual tradition in order to enact power. The poet realised a technical ‘tour de main’ to picture a many-faced goddess, tying heavenly and shining traits to the gloomiest and the deadliest, and entangling anthropomorphic characteristics to a patchwork of animal features. The poetic mastery over names and figures offers tools for the making of the divine inside the ritual performance, with the effect of rendering a vivid perception of the Moon goddess encompassing all her aspects.
This chapter uses archaeological theory to enrich readings of Old Norse-Icelandic literature, exploring human interactions with the physical world during the Viking Age. The focus is on artefacts, buildings and constructed places in the landscape. The chapter begins with a survey of Viking Age material culture studies, emphasizing the move beyond data collection to ways of probing meaning and highlighting new areas of archaeological research and theory, including landscape archaeology, geophysics and laboratory-based techniques such as isotopic analysis. Theories of landscape and the social significance of the physical world are discussed, and also the way materials, methods of construction, and the form and decoration of material culture carry meaning. The role of diaspora studies is also explored. The chapter continues with an analysis of three particular kinds of object – swords, brooches and combs – and moves on to consider acts of transformation and the magic associated with objects, especially hoards and ritual deposition. There are sections on the construction of Viking Age buildings, ships and mounds and what they can tell us about life in the Viking Age.
The terms 'witch' and 'witchcraft' have been used to mean many different things over the years. In the twentieth century, some people began referring to themselves as witches and espousing esoteric new religions that they called witchcraft. Some of these new religions – most notably Wicca – were forms of modern Paganism, devoted to the veneration of ancient divinities. Others constituted types of Satanism or Luciferianism, embracing the early modern idea of the witch as a Devil worshipper. Recent years have seen growing numbers of Black Americans who practice African diasporic religions adopt the term 'witch' too. This Element explores why the image of the witch is so appealing to numerous people living in modern Western countries, examining how witchcraft offers people a connection to the past, a vehicle for liberation, and a means of empowering themselves in an often-troubling world.
Apuleius’ tale of Cupid and Psyche is shown to feature detailed knowledge of ancient magic integrated into the plot, especially the magic of the so-called ‘Sword of Dardanus’ spell and of other papyri with Middle Platonic content. A recently published gemstone from Perugia testifies to the wide distribution of the ‘Sword’. Apuleius’ allusion to the erotic spell involves both Cupid and Venus torturing Psyche. Although Venus’ intentions are to prevent the bond between the lovers, her actions inadvertently echo those depicted in the ‘Sword’ and contribute to the couple's eternal union. Ancient magic is therefore shown to be potent and effective, despite Venus’ plans. This is a methodology Apuleius is known to use widely, for example in his obvious allusions to, and adaptations of, Hellenistic poetry in the story. Magic joins poetry and philosophy as a category of texts shown to be playfully integrated into Apuleius’ construction of the plot of Cupid and Psyche.
The 13th-century Arabic grimoire, al-Sakkākī's Kitāb al-Shāmil (Book of the Complete), provides numerous methods of contacting jinn. The first such jinn described, Abū Isrā'īl Būzayn ibn Sulaymān, arrives with a donkey. In the course of offering an explanation for his ritual, this Element reveals the double-sided nature of asinine symbology, and explains why this animal has served as the companion of both demons and prophets. Focusing on two nodes of donkey symbology—the phallus and the bray-it reveals a coincidentia oppositorum in a deceptively humble and comic animal form. Thus, the donkey, bearer of a demonic voice, and of a phallus symbolic of base materiality, also represents transcendence of the material and protection from the demonic. In addition to Arabic literature and occult rituals, the Element refers to evidence from the ancient Near East, Egypt, and Greece, as well as to medieval Jewish and Christian texts.
There is a common perception that creativity is associated with psychopathology. Previous studies have shown that members of creative groups such as comedians, artists and scientists scores higher than the norm on psychotic traits, and scientists in STEM (science, technology, engineering and mathematics) fields score highly on autistic traits.
Aims
To test whether magicians, a creative group that has not been studied before, also score highly on psychopathological traits and autism, and to test the associations of creative self-efficacy and creative identity with schizotypal and autistic traits among magicians.
Method
A sample of 195 magicians and 233 people from the general population completed measures of schizotypal traits (Oxford–Liverpool Inventory of Feelings and Experiences) and autism (Abridged Version of the Autism-Spectrum Quotient), as well as the Short Scale of Creative Self. Magicians were also compared with other creative groups with respect to schizotypal traits, based on previously published data.
Results
Magicians scored lower than the general population sample on three of the four schizophrenia measures (cognitive disorganisation, introvertive anhedonia and impulsive nonconformity) but did not differ with respect to unusual experiences or autism scores. Magicians scored higher on creative self-efficacy and creative personal identity than the general sample. Magicians’ scores on schizotypal traits were largely lower than those of other creative groups. Originality of magic was positively correlated with unusual experiences (r = 0.208), creative self-efficacy (r = 0.251) and creative identity (r = 0.362).
Conclusions
This is the first study to show a creative group with lower scores than norms on psychotic traits. The results highlight the unique characteristics of magicians and the possible myriad associations between creativity and mental disorders among creative groups.
'Sacramentality' can serve as a category that helps to understand the performative power of religious and legal rituals. Through the analysis of 'sacraments', we can observe how law uses sacramentality to change reality through performative action, and how religion uses law to organise religious rituals, including sacraments. The study of sacramental action thus shows how law and religion intertwine to produce legal, spiritual, and other social effects. In this volume, Judith Hahn explores this interplay by interpreting the Catholic sacraments as examples of sacro-legal symbols that draw on the sacramental functioning of the law to provide both spiritual and legal goods to church members. By focusing on sacro-legal symbols from the perspective of sacramental theology, legal studies, ritual theory, symbol theory, and speech act theory, Hahn's study reveals how law and religion work hand in hand to shape our social reality.
This final chapter extends the argument in chapter five by investing the “Prince of Torah” section in the earliest Jewish mystical corpus known as the Hekhalot literature. It reads through the extended narrative of this text through the genre of a historiola, demonstrating that the rhetoric through which it separates between a “human, earthly” Torah and a “divine Torah” resonates with the manner in which Neoplatonists, Manichaeans, and “Jewish Christians” distinguished between “mere prognosis” and “divine prognosis” in chapter five. Not only does this text present the reader with a way of elevating his own learning faculties to be more like the angels, but Torah itself is conceptualized as something that is “instantly knowable” in a moment of divine comprehension.