In her chapter, Pilar Villar-Argáiz shows how the poetry of Eavan Boland often invokes the very revivalism she seems at times to critique. Villar-Argáiz examines a number of Boland’s poetic predecessors in order to show her multiple points of contact with the Irish past. Though Boland engaged critically with W. B. Yeats’s revivalism, particularly as reflected in the “lyric imperative” that runs throughout his work, her posthumous published collection The Historians represents a partial reconciliation with Yeats’s work and poetic example. This reconciliation allows Boland to celebrate what she inherits from Yeats – particularly his use of use poetry to create a sense of community, not only among other writers but more broadly among the Irish people at large. Boland’s work strives for this sense of community, of belonging through relationships with landscape and “domestic interiors. In her late twentieth century revivalism, Boland thus revitalizes the bardic function so important to Yeats.

In her chapter, Rosie Lavan explores Eavan Boland’s relationship to two post-Revival poets, Padraic Fallon and Sheila Wingfield. These under-studied writers occupy an insecure position with respect to the legacies of the literary revival, particularly the work of Yeats. This was especially true of Fallon who believed Yeats’s influence to be deleterious to poets who followed him. As many critics have pointed out, Boland’s engagement with the Irish poetic tradition, particularly its emphasis on male mastery, is both powerful and ambivalent, for despite the critical gaze she trains on this tradition she is able to recognize and make use of Yeats’s poetic bequest. As Lavan shows, Wingfield provided a counter influence in the sense that her work depicted the struggle with the pressures of time. To resign herself to time, Boland came to understand, is to come to a fuller understanding of how she defines herself as a poet.

Everyone creates influence during their lives. This may be consciously or unconsciously, through communication, actions or behaviours. A person can be influential through who they are or what they do, such as through their creativity, dependency, vulnerability, position and example. In complex health organisations, we need effective leadership that articulates vision, inspires, provides guidance and influences, and strong management to plan, organise, direct and control. Leaders and managers have different roles, functions and skill sets. These actions may be visionary, inspirational, task-focused, long or short term, through empowerment and supervision. These roles and responsibilities may be different but need to achieve impact in influencing.

Politics is an inevitable feature of organisational life, particularly in large bureaucratic organisations such as hospitals or government departments. Political activities arise when there is a lack of consensus about how an organisation should be managed. They are typically employed to reconcile these divergent interests, which may be the result of competition for resources within the organisation, the pursuit of personal goals by individuals or a high level of uncertainty within the organisation.

The introduction outlines the complex relationship between American foreign relations and the PR industry, revealing a hidden hand of influence on US foreign relations. It explains the significance of the relationship, looking at the implications of the relationship for democracy, and outlining why the relationship has been historically controversial. The introduction also considers the definition of PR, notably contrasting it with advertising and lobbying. Finally, it delineates the main ways PR firms engaged with foreign relations: through support for private groups of American citizens, through support for corporate interests (domestic and foreign), and through support for governmental interests (domestic and foreign).

This chapter examines some of the most important poetic influences on Shelley’s writing from the tradition of poetry in English published before his birth in 1792. In particular, it focuses on Shelley’s inheritance of works by Spenser, Milton, and Shakespeare while acknowledging the breadth of his reading and its influence on his own poetic practice (the chapter also acknowledges that Shelley’s inheritance from English poetry must be considered in the context of his inheritance of work in Greek, Latin, and a range of modern European languages, which is discussed elsewhere in this volume). The chapter attempts to tease out some of the ambivalences in Shelley’s relation to his poetic forebears, taking Spenser – royalist and imperial apologist, which Shelley emphatically was not – as a crucial example here.

Percy Shelley seemed anathema to the modernist movement. Yet the persistence of Shelley in the imagination of twentieth-century poets meant his presence never faded away. Even for his detractors, Shelley’s ghost is not exorcised. This chapter traces Shelley’s influence in twentieth-century poetry to suggest ways of reading the many strands of Shelleyan influence. Focusing on several twentieth-century poets, such as Thomas Hardy, W. B. Yeats, and Hart Crane, and through Sylvia Townsend Warner and Laura (Riding) Jackson to Wallace Stevens, this chapter views Shelley as inspiring a variety of (anglophone) poets in the early to mid-twentieth century. What Shelley offers his twentieth-century poet-readers is a series of possibilities, ways of reading, and means to become inspired, by a poet of unrivalled intensity.

The story of Shelley’s life is inextricably linked with the stories of the women who influenced his work, and of the children for whom he was responsible. This chapter explores the ways in which this superficially least domestic of men produced a body of work shaped in fundamental ways by his relationships with the women and children in his family, as well as by those with a small number of other women who existed beyond its boundaries. It traces Shelley’s relationships with Harriet Westbrook, Elizabeth Hitchener, Mary Godwin, Claire Clairmont, Teresa Viviani, and Jane Williams in and out of his biography and his poetry, arguing that although neither these women nor the children in their care could always live up to Shelley’s vision of ideal, uncircumscribed companionship, they were no less important to either his life or his art because of their complicated, flesh-and-blood reality.

In this paper, we investigate whether appeals to expertise make robots persuasive and provide evidence on the influence of single persuasive messages in human-robot interactions. We explore the effects of two different kinds of persuasive strategies on people’s behavior and subjective evaluation of the robot: appeals to participants’ own expertise on the one hand and reference to research on the other. We present a controlled lab study in a healthcare scenario with professional elderly care workers as our participants, where the aim is to address dehydration. We study attitudinal and behavioral effects of these strategies of influence; specifically, we measure participants’ water intake after the interaction, as well as their subjective ratings of the robot. Our results show that both strategies have influence on participants’ water intake while the reference to one’s own expertise yields significant behavioral effects.

Fiction writers in the nineteenth century engaged an evolving assemblage of understandings and conflicts concerning their stories and their relationship with politics. Early decades were characterized by suspicions about the value of fiction and its potential for disrupting the demands of nation-building. With industrialization and mass culture came a new appreciation for literary fiction as vehicle for both consensus-building and sociopolitical change. Through it all, most writers and readers, while employing a variety of modalities and aiming at different political targets, maintained the conviction that fiction, when in the hands of a truth-teller, could convey the “truth” of “great principles” and thus do political work. To demonstrate these nineteenth-century understandings of the intersections of fiction and politics, this chapter examines fiction across the century in three different periods consistent with the history of the book and print culture: the first running roughly from 1800 to the late 1830s, after the nation’s birth but before the age of mass culture; from 1840 to the late 1870s, the age of the industrial book; and from 1880 to century’s end, the early days of modernism, new conceptions of language, and the autonomous work of art.

Although poetic modernism marked the height of Gerard Manley Hopkins’s seminal influence, British, American, and postcolonialist poets around the globe (including in Ireland, Nigeria, Australia, Canada, and the Caribbean) continue to engage intensely with his work. Many have learned to write in their own idiosyncratic voices while honouring or debating with Hopkins, and even while intentionally echoing his innovative techniques or his ecological and spiritual themes. The topic of Hopkins’s poetic legacies is ripe for further scholarly attention. Even a brief assessment of writers he has influenced reveals that his voice has deeply shaped the contours of contemporary anglophone verse.

This chapter explores the reception of David Hume’s Essays in eighteenth-century Britain by linking computational methods of text reuse detection with more traditional approaches to the history of ideas. We find that many of Hume’s essays were frequently reprinted individually, in whole and in part, including in anthologies, grammars, style guides, and collections such as The Philosophical Dictionary, where editors often moulded for their readers what they took Hume’s message to be. As the century drew to a close, Hume’s essays were firmly integrated into the diverse landscape of eighteenth-century British literary culture. We reveal which essays underwent the most extensive reuse, carefully analysing them based on their respective collections and as individual titles. We find that, just because Hume ‘withdrew’ an essay from his collection, it did not necessarily mean it was withdrawn from the public eye. Several essays by Hume experienced evolving life cycles, and numerous authors incorporated his texts discreetly, some without explicitly acknowledging their use. Taking Hume’s essays as a whole, the range of topics and venues involved in the history of their eighteenth-century reuses is striking. Our story includes not only prominent political and economic thinkers, historians, philosophers, lawyers and clergy but also scores of hack writers, anonymous authors and a range of publishers, editors and compilers. The chapter demonstrates how a more comprehensive grasp of the reception of Hume’s Essays in eighteenth-century Britain accommodates all these facets.

For many years, the reality about the role of women in American and southern history remained the absence of scholarship about women and the absence of women in the profession. The journey of women into the world of professional historians involved overcoming many stereotypes and prejudices. A few women emerged as professional historians who made major contributions into new areas of scholarship as early as the post-World War II years, but the ratio of women to men only began to increase in the late 1970s and early 1980s. Economist Claudia Goldin identified a “quiet revolution” of women entering the history profession between 1950 and 1970, which then exploded as women rushed into the profession in force during the 1970s. The influx of talented women opened new fields of study (women, family, social history topics, etc.). This chapter examines the influence of women who shaped new areas of study while also offering new perspectives on longstanding questions of broad scholarly interest.

This chapter examines Clare’s place among the poets in his own lifetime and more recently. The first section considers his appeal to recent and contemporary poets such as Heaney and Paulin. It argues that they have been inspired by Clare’s commitment to the local and provincial, especially his use of local vernacular, and also by his aesthetic of the uncouth and rebarbative, which also influenced Thomas. It goes on to explore how Clare’s close sensory attention to the natural world influenced Thomas, Longley, Oswald, and Jamie.  The second section argues that Clare’s poetry developed in conversation with his wide reading. It focuses on a number of examples, including Collins, Cowper, and Thomson. Reading these poets alongside and through Clare we see new features of their writing emerge, giving us a richer, more dynamic sense of eighteenth-century verse, and of Clare’s poetry.

This chapter presents latent nuclear deterrence theory. It explains how it is possible to gain international leverage from a nuclear program if countries do not have nuclear weapons.

Following its explosive debut in October 1817, Blackwood’s Edinburgh Magazine reached the heights of its notoriety in the following four years, and while it moderated its ferocity as the 1820s progressed, it continued to exert a powerful influence on British political, literary, and popular culture. Its early assaults on poets such as Percy Shelley and Lord Byron typically combined truculence with insight, and in the early 1830s it took the same approach to the poetry of Alfred Tennyson. Most notably, Blackwood’s writers like John Wilson, William Maginn, and Samuel Warren produced innovative terror fiction that rejected the ominous suggestions and careful evocations of ‘atmosphere’ in the late eighteenth-century Gothic in favour of the precision and the more direct realism of chapbooks, broadsheets, ‘true crime’ narratives, and newspaper accounts of executions, murders, and suicides. These fictions inspired Edgar Allan Poe, Charles Dickens, Robert Browning, and the three Brontë sisters, all of whom emulated and transformed the Blackwood’s tale of terror.

Multiple linear regression generalizes straight line regression to allow multiple explanatory (or predictor) variables, in this chapter under the normal errors assumption. The focus may be on accurate prediction. Or it may, alternatively or additionally, be on the regression coefficients themselves. Simplistic interpretations of coefficients can be grossly misleading. Later chapters elaborate on the ideas and methods developed in this chapter, applying them in new contexts. The attaching of causal interpretations to model coefficients must be justified both by reference to subject area knowledge and by careful checks to ensure that they are not artefacts of the correlation structure. There is attention to regression diagnostics, to assessment, and comparison of models. Variable selection strategies can readily over-fit. Hence the importance of training/test approaches and cross-validation. The potential is demonstrated for errors in x to seriously bias regression coefficients. Strong multicollinearity leads to large variance inflation factors.

This chapter is intended to invite composers at an earlier stage in their career to think about what their unique musical voice is, and how that might be influenced by the art and ideas existing around them. It concludes with some practical advice to help inspire composers to develop an understanding of what is most special about their musical instinct, imagination, and creativity.