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The Penguin Modern Painters (1944–1959) was a groundbreaking series of British art monographs designed to promote the work of contemporary artists to a general readership. In examining the factors that influenced the wartime conception and development of the series, this Element makes a contribution to the understanding of the relationship between publishing and the visual arts during the Second World War. The study argues that the emergence of The Penguin Modern Painters was inextricably linked to the aims of British wartime cultural policy and the ideology of the pre-war adult education movement. The key personalities involved are identified and their multiple and often conflicting motives analysed to provide new insights into the shifting perspectives of Britain's elites regarding the way that art was presented to the public in the 1940s. This Element provides a foundation on which further study of twentieth-century art publishing in Britain might be developed.
Penguin Classics have built their reputation as one of the largest and most successful modern imprints for 'classic' texts on the notion of 'the general reader'. Following an interrogation of this idea, Leah Tether investigates the publication of medieval French literature on this list and shines a light on the drivers, motivations, negotiations and decision-making processes behind it. Focusing on the medieval French texts published between c.1956 and 2000, Tether demonstrates that, rather than Penguin's frequently cited 'general reader', a more academic market may have contributed to ensuring the success of these titles.
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