This chapter explores the phenomenon of embodiment, or how bodies vary because of their embeddedness in different cultural, social, and material landscapes. Understanding embodiment entails studying the influences of the social–cultural world on bodies, and the influences of biological processes on social, semiotic, and experiential worlds. Drawing on anthropological, feminist, and disability studies scholarship, and those in contemporary biological sciences, we offer some tools for thinking about how bodily states and processes are affected by their perception, representation, and treatment within people’s lived worlds, and vice versa. A processual, “bio-looping” model helps to explain how transformations of body and world in complex embodiment might work. Emerging empirical work in the biological sciences provides evidence for the deep entanglements of social and biological systems. The intersections among meaning and perception (“interoceptive affordances”) highlight how meaning shapes perception of bodily processes and sensations. Canna’s study of demonic possession illustrates how interoceptive affordances contribute to embodied experiences and ways of being in the world.

In this chapter we examine the intersection of drumming and disability by foregrounding the experiences of drummer and co-author Cornel Hrisca-Munn, who describes his disability as multi-limb deficient. Commencing with a discussion of concepts from the field of disability studies, we explain how drumming exposes the inadequacy of either/or medical- and social-model thinking. Nuanced understandings of lived experiences help to make sense of disability theory, and we use examples from Cornel’s life as a drummer to highlight the importance of complexity and context. We proceed with a narrative by Cornel on how he has experienced others’ perceptions of him through his online presence on internet and social media platforms. Cornel’s experiences of being the object of others’ inspiration porn or trolling on social media highlight how difficult it is for him to be regarded solely as a drummer; instead, he is compartmentalized as a ‘disabled drummer’. Following, we provide a detailed description of how Cornel plays the song ‘Everlong’ by Foo Fighters to illustrate that how people see Cornel play drums changes how they hear him play drums. Finally, Cornel details how he is often compared to Rick Allen of Def Leppard, and explains why this comparison is problematic.