After the death of their beloved dog Whym Chow, Katharine Bradley and Edith Cooper, who write collectively as Michael Field, underwent a radical spiritual and poetic shift by converting to the Roman Catholic Church. Each partner viewed this shift differently. Bradley focused on the ways in which Whym Chow’s death represented a rupture in their domestic Trinity, while Cooper focused on the sacrificial aspects of euthanising the dog as an act of their own will. Converting to the Roman Catholic Church impacted both Bradley and Cooper’s relationship with one another and their poetic creativity and dominated the final years of their shared life.

This chapter focuses on the companion volumes Mystic Trees and Poems of Adoration to explore the ways Michael Field’s poetry changed following Katharine Bradley and Edith Cooper’s 1907 conversion to Roman Catholicism. This chapter reviews prior scholarship on Field’s devotional poetry, which has often emphasised the continuity between Field’s pre- and post- conversion work. The chapter builds on this scholarship by arguing that Field’s devotional poetry, informed by their newfound faith, explores new ways of thinking about time, suffering, and the purpose of art. Furthermore, this chapter explores the significance of studying Victorian devotional and religious verse, and the ways women and queer people were able to use the genre to engage with and build upon theological concepts, outside the bounds of ecclesiastical authority.