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Memory is a fascinating way to approach modern and ancient cultures, as it raises questions about what, why, and how individuals and groups remember. Egyptology has had a major impact on the development of memory studies, with Jan Assmann's notion of cultural memory becoming a widespread model within the humanities. Despite this outstanding contribution of Egyptology to memory studies, remarkably few recent works on ancient Egypt deal with memory from a theoretical and methodological point of view. This Element provides a general introduction to memory, followed by a discussion of the role of materiality and performativity in the process of remembering. A case study from Middle Kingdom Abydos illustrates how memory can be embodied in the monumental record of ancient Egypt. The purpose of this Element is to present an up-to-date introduction to memory studies in Egyptology and to invite the reader to rethink how and why memory matters.
This Element demonstrates how ceramics, a dataset that is more typically identified with chronology than social analysis, can forward the study of Egyptian society writ large. This Element argues that the sheer mass of ceramic material indicates the importance of pottery to Egyptian life. Ceramics form a crucial dataset with which Egyptology must critically engage, and which necessitate working with the Egyptian past using a more fluid theoretical toolkit. This Element will demonstrate how ceramics may be employed in social analyses through a focus on four broad areas of inquiry: regionalism; ties between province and state, elite and non-elite; domestic life; and the relationship of political change to social change. While the case studies largely come from the Old through Middle Kingdoms, the methods and questions may be applied to any period of Egyptian history.
The Batn el-Hagar in Sudan has traditionally been characterised as sparsely occupied during the Middle Kingdom Period, with most activity limited to the Egyptian fortresses along the Second Cataract. A new survey programme undertaken by the Uronarti Regional Archaeological Project offers evidence for a more richly occupied landscape.
This chapter explores whether magic is an appropriate or useful term for scholars to use in the context of ancient Egypt. It provides a historical overview of the development of Egyptian magic from the third millennium BC until the end of paganism during the first centuries AD. The origins of magic in the creation and its preservation in medical papyri further associate Egyptian magic with learnedness. The earliest period of Egyptian history from which texts have survived is the Old Kingdom. Several types of material related to magic are attested from the Middle Kingdom. The close association between Egyptian magic and medicine becomes explicitly clear in the famous Edwin Smith Papyrus of about 1550 BC. The Egyptians were well aware of the dangers of black magic. Just as in the earlier periods, there are also extant in the Graeco-Roman epoch manuscripts of narratives on magicians.
The Old and Middle Kingdoms together represent an important unitary phase in Egypt's political and cultural development. Divine kingship is the most striking feature of Egypt in these periods. In the form of great religious complexes centred on the pyramid tombs its cult was given monumental expression of a grandeur unsurpassed anywhere in the ancient Near East. Kerma in the Second Intermediate Period came to be an African counterpart of Byblos: an independent state beyond Egypt's political frontiers, with a court looking to Egypt as a source of sophisticated court fashion. If one considers the historical developments in Nubia in the Second Intermediate Period and the possibility that the position of Kush in the lists is a tribute to its political importance, then one might conclude that Kush was, from the outset, centred at Kerma. The implication is that Kush had emerged as a kingdom of considerable strength and importance, a counterpart to the Hyksos kingdom of the north.
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