The brief coda reflects on how the model developed in this book can be applied to later premodern societies.

This chapter introduces the main themes and scope of the volume, including discussing the origin of the concept of ‘heresy’, as well as outlining what aspects of it will and will not form the focus of the following chapters. It then provides a summary of the division of the volume into two parts and the particular topics and case studies contained in each.

The peoples and cultures at Europe’s ‘unchristianised edge’ included the Sami, the Balts, the Estonians, and the Finno-Ugric peoples of the Volga-Ural region such as the Maris and Udmurts. This chapter situates those peoples in their geographical, cultural, and colonial contexts in the period leading up to the year 1387, when Lithuania formally converted to Christianity. The chapter introduces the characteristics of their diverse religious traditions and briefly traces the preceding history of the conversion of northern Europe by both violent and non-violent methods, including the Northern Crusades, paying particular attention to impasses in the Christianisation process when people rejected and resisted the imposition of the new faith. Drawing on the writings of Bartholomaeus Anglicus, the chapter portrays the state of Europe’s Christianisation on the eve of Lithuania’s formal conversion, drawing attention to the extent of pre-Christian Europe in this period and the challenge that Christianity still faced at the end of the fourteenth century.

In the Middle Ages kingdoms could nominally reach very far, although kings typically did not have more resources than the most powerful feudal lords. Their mystical, sacred power ensured their right to rule over vast lands. The king obtained these attributes during the coronation, during which he simultaneously had to subjugate himself to the pope and the emperor. The coronation was an anchoring representant that enacted the God-given hierarchy in the cathedral: the laity was in the nave, the king in between the laity and the clergy, and the archbishop as the representative of the pope performed the unction with the holy balm through which the sacred entered the ceremony. It was the universal monarchy on stage. To rid themselves of papal and imperial superiority, while simultaneously maintaining their standing above feudal lords, kings modified the coronation and adapted other representants. This fundamental struggle led to a change in the early modern European order. During the Reformation, iconoclasms destroyed Catholic representants that upheld the hierarchical order. Simultaneously, kings adapted and repurposed existing Catholic representants for their own needs. The resulting dynastic divine right absolutism resembled the authority of pope and emperor, but it was territorially constrained.

A committed student of vernacular literatures alongside classical ones, Shelley matured a deeply integrated vision of European literature as a transnational conversation including the English-language tradition. This conception informs his literary and theoretical writings, his reflections about and practice of translation, and his appropriations and recreations of foreign forms and modes, such as Dante’s terza rima or Petrarch’s Trionfi. His interests focused especially on the Renaissance (in France, Italy, and Spain) and the eighteenth century and Revolutionary period (especially in France) and on figures such as Michel de Montaigne, Pedro Calderón de la Barca, Johann Wolfgang von Goethe, or Madame de Staël and the members of her salon at Coppet. Shelley’s engagements with modern European literatures confirm him as a poet and thinker poised between classical and post-classical cultures, harnessing them to support his revolutionary approaches to versification and poiesis, political and philosophical reflection, and cultural-social activism, against the backdrop of an incessantly evolving modernity.

The age of devotion is a descriptive designation for the period commonly labelled medieval, when the majority of literary texts were produced for devotional purposes. In the Russian context this extends roughly to the mid-seventeenth century. This chapter outlines and illustrates three approaches to the study of this literature: synchronic, diachronic, and dynamic. The synchronic approach emphasises features that are broadly characteristic of the age as a whole, such as the religious milieu (Orthodox Christianity), the language of high culture (Church Slavonic, in various interactions with East Slavonic), the medium of transmission (manuscript rather than print), and the problem of authorship (the prevalence of anonymity, the role of the scribe). The diachronic approach has produced various attempts to identify distinct periods in literary development. The dynamic approach emphasises the mutability of literary texts, such that it is necessary to view a work as a field of variously realised textual possibilities.

A discussion of where, why and how parchment material was preserved in the Middle Ages, distinguishing broadly between books kept in libraries and documents kept in archives. The distinction between outgoing and incoming archives and a case study of two documents of the emperor Frederick II.

This chapter examines elements of French-language culture in Britain between the twelfth and the fifteenth centuries which reveal the cross-Channel ties fostered by a shared language. It focuses on the Anglo-Norman Prose Brut (ANPB), part of a medieval historiographical tradition charting British history from its origins to the contemporary era, considering it alongside related texts such as Wace’s Brut and the Roman des Franceis of André de Coutances. Surviving in over fifty manuscripts, along with more than 200 copies in English translation, the ANPB influenced the development of English historical consciousness up to and beyond the time of John Milton. The shifting of borders throughout the Middle Ages means that the terms ’England’ and ’France’ need to be understood as more mobile than the modern nation states they designate. From the Norman Conquest in particular, the Channel became as much a conduit as a barrier to cultural and political cohesion. Through the French-language Brut tradition, the chapter considers how Britain’s history was contextualized for literate English society within the wider cross-Channel environment of Anglo-French cultural and political entanglements.

This chapter examines the series of prose romances that William Morris wrote in the 1850s, 1880s and 1890s and that were rediscovered in the twentieth century by writers, editors and critics of fantasy. The first section, ‘Romance and Fantasy’, recovers the moment of Morris’s canonisation as the ‘inventor’ of imaginary-world fantasy and briefly considers his influence on J. R. R. Tolkien, before tracing fantasy’s roots back to the eighteenth and nineteenth-century definitions of the romance genre. The second and third sections, ‘The Romances of the 1890s and the Germanic Romances’ and ‘The Political Romances and the Romances of the 1850s’, provide an overview of the key formal and thematic characteristics of Morris’s texts, proceeding in reverse order from his final medievalist fantasies, via his socialist timeslip dream visions to the short-form romances of his student days. These sections highlight the variable significance of communalism at different stages of Morris’s writing career and introduce comparisons with contemporary works by Mark Twain and Edward Bellamy. The final section of the chapter offers a case study of The Story of the Glittering Plain (1890), focusing on the themes of mortality and kinship.