The author provides an account of the cultural evolution of a new concept of leadership for both emperors and the church in the Christianising society based in the eastern Roman capital of Constantinople. The focus is the pivotal period from the establishment of Constantine the Great’s one-man rule through Byzantine rule over the eastern and western empires in the sixth and seventh centuries, ending with the rule of Irene as sole empress (797–802) and Charlemagne’s coronation in 800. Letters exemplify the late Roman transformation from a model of one-man (or one-family) rule to a more complex system of power sharing between religious authorities, which was under constant renegotiation, from the highest levels of governance under emperors and bishops to the lowest level of the parish led by local clergy. Increasing opportunities for women to exercise power, hand in hand with the episcopal leaders of the new church, also shaped imperial leadership ideals in new ways.

The introduction sets the scene at the catacombs of San Gennaro in Naples, where our only early Christian fresco from the Shepherd of Hermas is painted on a tomb wall. I lay out the thesis and roadmap for the book, namely, that the Shepherd crafts obedient early Christian subjects within the ancient Mediterranean discourse of enslavement. A brief overview of the Shepherd’s content is provided, as well as regarding its popularity and transmission history across the ancient, late ancient, and medieval worlds. I especially note how the Shepherd became a pedagogical tool in late antiquity, and that the Shepherd’s teachings are even placed in Jesus’s own mouth by some late ancient writers, heightening the stakes for understanding how enslavement is utilized in a text used to shape Christian thought and practice for centuries after its composition. Also provided is a brief introduction to slavery in antiquity to situate the reader, as well as outline some of the major influences on my approach to reading the text, especially womanist translational theory and Chris de Wet’s concept of doulology.

The Encyclopaedia of Late Antique Art and Archaeology seeks to fill a significant gap in historical research by placing art and archaeology at the forefront of late Roman and late antique studies. Recognising the need for a comprehensive and accessible reference, this work moves beyond the traditional focus on ‘early Christian archaeology’ to adopt a broader perspective. It highlights the dynamic interplay of Christianity, Judaism and Islam, challenging outdated notions of a fully Christianised Late Antiquity. Organised into six sections – architecture and iconography, artefacts and material evidence, urbanism and rural landscapes, regional and ethnic diversity, and key issues and debates – the encyclopaedia offers a structured, in-depth exploration of the field. With contributions from leading scholars, it synthesises archaeological discoveries to challenge narratives of decline, instead presenting Late Antiquity as an era of transformation and cultural fusion.

This chapter introduces the main themes and scope of the volume, including discussing the origin of the concept of ‘heresy’, as well as outlining what aspects of it will and will not form the focus of the following chapters. It then provides a summary of the division of the volume into two parts and the particular topics and case studies contained in each.

This final chapter summarises the book’s substantial contribution to our interpretation of Aristides’ works and figure, as well as to our picture of ancient lyric reception and imperial Greek culture more widely. Besides looking backwards, however, this conclusion also adds some reflections on how the approach developed and deployed in this study may be productively applied to other imperial genres and writers, both pagan and Christian, down to Late Antiquity.

This chapter analyzes the history of marriage customs in late Roman and Byzantine law and various forms of literature. Themes include laws on the age of betrothal and marriage, the rise of the legal importance of the church marriage service, and imperial weddings attested in the works of Byzantine historians and the tenth-century Book of Ceremonies.

This chapter addresses developments in Late Antiquity, which witnessed a partial shift to more land-based conceptions of both ownership and rulership. The prior literature has pointed to two explanatory factors: the decline of classical polis culture amidst the deurbanization of Late Antiquity, and the rise of Christianity. The chapter draws together the threads of this literature, in order to develop an account of late antique cultural change. Classical Roman property law, it argues, had its context in classical cities. The relative decay of urban dominance and the rise of Christianity tended to undermine the classical foundations of the law of both ownership and rulership. The Empire was reconceived in more territorial terms, while classical conceptions of elite power faltered. The resulting shifts did not result in any decisive and thoroughgoing transformation of the understanding of ownership and rulership, but they set the stage for later developments of great significance.