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Over the last few decades, the concept of Indigeneity has gained traction in Cambodia and Thailand, partially because of its potential to assist Indigenous Peoples in gaining more control over contested lands and forests. The Cambodian government recognizes Indigenous Peoples and their communal land titles. Since 2009, when a sub-decree was issued for registering Indigenous communities and their lands, dozens of villages in northeastern Cambodia have obtained communal land titles. The government of Thailand, however, does not officially recognize the existence of Indigenous Peoples. Nevertheless, the concept of Indigenous Peoples is gaining support in Thailand. Over the last few years, Indigenous activists in both countries have increasingly engaged in electoral politics. The Cambodia Indigenous Peoples’ Democracy Party (CIPDP) contested the commune and national elections of 2017 and 2018, respectively. In Thailand, Indigenous activists have also become more involved in electoral politics, especially during the 2019 national elections, when the first ethnic Hmong person was elected to Parliament. This Indigenous engagement in electoral politics represents a new strategy to gain more cultural and language rights at the legislative level, as well as tenure over land and other natural resources.
This study examines how racial identity affects legislative responsiveness in Mexico using an email-based audit experiment. Emails from simulated Indigenous, Mestiza, and European-White constituents were sent to all 626 federal legislators to test whether perceived identity shapes replies and their quality. Contrary to expectations, Indigenous-named constituents received significantly higher response rates that were more personalized and helpful than their European-White counterparts, while Mestiza-named constituents showed no significant differences in response rates. We found no coalition-based differences, though power was limited, and responsiveness declined in districts with larger Indigenous populations, revealing how national inclusion norms may be moderated by local demographic and political dynamics.
Indigenous populations are over-represented in criminal statistics in most developed nations. This has been related to biological and inherited neurocognitive factors. The question needs to be raised as to whether the association is genetic or epigenetic (in the widest sense). In fact, we need to broaden the subject in studying human psychological and psychiatric dysfunction. When we do so, some important factors in personal and psycho-social dysfunction come into view. These include those contributed to by individual differences, socioeconomic variables, cultural alienation, disruption of identity formation and its sites, and in short the partial disruption or loss of ‘the village needed to raise a child’. In some post-colonial settings these factors are slowly and incrementally being addressed, but people who are casualties of the varying difficulties and traumatic complexities emerge for society to deal with. That sociopolitical response deserves a corresponding effort by academia to provide the research and argument that illuminates the subject and their formation in a post-colonial world. The present discussion aims to do that conceptual, scientific, and ethical work which developed and recognised academia owes to the Indigenous people and cultures that have suffered disruption in the names of ‘civilisation’ and ‘enlightenment’.
This book chronicles important formal and theoretical innovations in Latinx literature during a period when Latinx writers received increasing acclaim while their communities became targets of rising hostility. The essays in this collection show how Latinx writers confront this contradiction by cultivating an understanding of Latinx experience in its transnational dimensions, by recovering histories that were suppressed or erased, by engaging in burgeoning decolonial projects that resist Western epistemologies, and by forming coalitions and solidarities within Latinx groups as well as with other minoritized racial and ethnic communities to challenge state violence and US imperial projects. The book highlights the increasingly important role of genre, form, and media in the contemporary Latinx literature and provides an account of how the shifting demographics and new migrations of Latinx people have not only resulted in new narratives and art but also altered and expanded how we imagine the category 'Latinx.'
This chapter takes plantation as a rubric under which theorizations of race and space in Marxism and Black and Indigenous critical theory might be usefully coordinated for the sake not only of intersectional practicality but intellectual purchase for literary scholars in particular. Historically associated with the racializing regimes of both settler colonialism and enslavement that made what historian James Belich has called “the Anglo-world,” plantation comes into view as a key means through which capitalist social relations originating in late medieval southeastern England have been planted across the planet to the massive detriment of human and nonhuman life. Understood as sites at which the compulsion to expand set in motion by capital in the metropole confronts noncapital in its most resistant difference, white settler colonies in North America and Oceania are treated as experimental spaces for the satisfaction of that compulsion – that is, as not only spatial but phenomenological frontiers of real subsumption. This chapter focuses on one such experiment: the settler/master’s assumption of the role of the God of Genesis, specifically the power to bring worlds out of and into being through acts of signification, the whole-cloth fiction of race foremost among them.
This chapter reads María Cristina Mena’s “The Birth of the God of War” (1914) alongside Gloria Anzaldúa’s concept of the Coyolxauhqui imperative in Light in the Dark/Luz in lo Oscuro: Rewriting Identity, Spirituality, Reality (2015) to theorize brown modernism. Building on the work of José Esteban Muñoz, who theorizes a “sense of brown” that emerges from a felt community based on brownness,” I contend that Mena’s and Anzaldúa’s engagement with Aztec myths allows them to theorize brownness by centering indigeneity through a feminist lens. In this way, both authors illuminate the divergent modernities that attend their depictions and engagement with indigeneity. Focusing on brown modernism over white modernism illuminates how different modernisms have their own temporalities as brown modernism drags modernist aesthetics deeper into the twentieth century. Moreover, this chapter shows how, in taking up an explicit engagement with indigeneity, brown modernism stresses the importance of having such conversations, particularly when such engagements are uncomfortable and problematic. Doing so allows for a deeper accounting of the kinship between Chicanxs – and Latinxs more broadly – and indigeneity.
This chapter attends to the formal and cultural function of Latinx racial passing in Who Would Have Thought It? (1872) by María Amparo Ruiz de Burton. Critical conversations about the orphan protagonist of the novel, Lola Medina, interrogate her rescue from Indian captivity and the gradual “whitening” of her dyed skin as a form of aspirational assimilation into Anglo-American society. Scholars have also studied the ways in which Lola’s captivity story is informed by the historical precedent and publications surrounding the repatriation of Olive Oatman to white American society after her five-year captivity among the Mohave in the 1850s. This contribution reads Lola’s performance of Latinx racial passing alongside the captivity narrative, newspaper articles, and visual culture from the Oatman case to argue how the idea of “passing” operates in the novel as a form of political critique and a catalyst for modernist, formal innovation. Lola’s narrative of Latinx racial passing not only illuminates an early discourse of Latinx racialization, but also catalyzes a modernist satire of Anglo-American imperialism.
This chapter explores how country and city stand in as proxies for political, racial, and cultural positions. The country operates as the custodian of the “real America,” which becomes imagined as white, masculine, traditionalist, and working class. The city, meanwhile, teems with the elite and the cosmopolitan. Such gestures conjure away any trace of Indigenous peoples, migrant farmers and ranchers, urban–rural labor alliances, black agrarian Populists, and the city’s intersectional working class. Even as we must acknowledge the generative role country-and-city scholarship has played in US literary criticism, this chapter ultimately calls for rethinking this binary by turning to texts that provide a different account of the rural – a narrative that the country as a concept so effectively obfuscates. Writing by authors such as Hamlin Garland and Zitkála-Šá, conventionally categorized as local-color or regionalist, demonstrates that scarcity and survivance rather than city and country shaped the cultural politics of rural spaces in the nineteenth century. They both challenged the bureaucratic state, as an entity that protected the interests of finance capital by subjecting settlers to constant precarity and violently seeking to dispossess Indigenous peoples of their own land, liberty, and literature.
This chapter lingers on the very notion of territory itself as a spatial imaginary, a literary trope, and a political crucible for competing ideas of sovereignty. In particular, it examines how territory, or perhaps more precisely, territoriality, did not simply work at the behest of US empire but also served as an essential spatial register for working alongside and even against US territorial annexation, occupation, and colonization. Throughout the nineteenth century, the United States asserted an understanding of sovereignty that foregrounded dominance over a territory and its inhabitants. At the broadest scale, territory denoted the sovereign’s property (the United States), and sovereignty denoted control over territory. Settler-colonial notions of sovereignty and territory conflicted with Indigenous understandings of sovereignty that often foreground responsibility to human and other-than-human relatives within a shared space or territory rather than possession of property. This chapter’s three sections, “Terra Nullius,” “Indian Territory,” and “Black Territories,” each take up a concept of territoriality that profoundly influenced US colonial expansion at the expense of other narratives of placemaking. Each section details how narratives of territoriality forcefully shaped US politics and culture while also describing competing notions of placemaking that disrupt these dominant narratives.
This chapter argues that what Gerard Manley Hopkins termed the “rural scene” provided a focal point in the 1870s for profound changes in the Victorian understanding, valuation, and transformation of the natural world. British writing at this time demonstrates a shift from viewing the rural scene as picturesque landscape, as evidenced in provincial novels such as George Eliot’s Middlemarch, to conceiving of it as an environment encompassing human and nonhuman nature, notably in Richard Jefferies’ nature writings and Thomas Hardy’s first Wessex novels. Grasping the full scope of Victorian responses to the rural scene in the 1870s also requires looking to the expanding pastoral industries of the settler empire. Writing in and about the settler colonies of Australia and New Zealand, by Lady Barker, Rolf Boldrewood, and Anthony Trollope, highlights how a perceived absence of rural aesthetic values helped render colonial nature available for transformation and subsequent economic exploitation.
This essay traces the study of the vexed topic of sentimentalism in long nineteenth-century American critical discourse. Over the past decades, scholars have drawn upon different disciplines and critical theories to reframe the expansive and subtle complexities of sentimentalism’s influence as mode and ideology; these investigations, under the capacious term “feeling,” sometimes dovetail with, and other times are disaggregated from, inquiries into sympathy, affect studies, the sensorium, and the history of emotions. Although the turn to affect has been seen as a way out of political overdetermination, concerns about liberatory potential and structural collusions were prefigured and informed by debates about sentimentality’s ethical bind. This essay turns to negative terms, glossing the use of “unfeeling” in Harriet Beecher Stowe’s Uncle Tom’s Cabin and then appearances of “unfeeling” and “unsympathetic” in illustrative scholarship over the last three decades for their operations and implications. The chapter then teases out the cultural politics of unfeeling from a queer, feminist of color perspective: What if one reconsiders unfeeling from the vantage point of those marginalized and not simply as hegemonic imposition? The discussion closes with Yankton Dakota writer Zitkala-Ša, reassessing the Indigenous activist’s wish, in her own words, to become “unfeeling stone.”
This article explores understandings of race, mestizaje, and criollismo among blind people in Chile and Venezuela. It demonstrates that visually perceived markers are not self-evidently constitutive of race as a social category. Participants show sound knowledge of racialized categories but also reveal significant differences in the identification of racial markers and in the way that race informs their understandings of mestizaje and criollismo in Chile and Venezuela. In Chile, where racial markers convey identity fixity and intersect overtly with social class categorizations, mestizaje and criollismo are conceptualized as separate elements of national identity. In Venezuela, where racial markers convey more identity porosity, mestizaje and criollismo are conceptualized as intertwined foundations of national identity. These social configurations counter naturalizing conceptualizations of race and enable a reconsideration of how different notions of admixture continue to permeate ideals of personhood and social relations in Latin American countries. They also erode academic conceptualizations of race that unwittingly contribute to legitimize the naturalization of race in public discourse—and potentially in governmental policy and practice.
The New Nineteenth-Century American Literary Studies takes stock of critical developments over the past twenty years, offering a fresh examination of key interpretative issues in this field. In eclectic fashion, it presents a wide range of new approaches in such areas as print and material culture, Black studies, Latinx studies, disability studies, gender and sexuality studies, postsecular studies, and Indigenous studies. This volume also maps out new directions for the future of the field. The evidence and examples discussed by the contributors are compelling, grounded in case studies of key literary texts, both familiar and understudied, that help to bring critical debate into focus and model fresh interpretive perspectives. Essays provide new readings and framings of such figures as Herman Melville, Harriet Wilson, Charles Chesnutt, Edgar Allan Poe, Washington Irving, and Zitkála-Šá.
This paper examines the fissures within recent decolonial debates, arguing for the privileging of alternative narratives from formerly colonized groups and a shift away from centring colonialism. It calls for the recognition of decolonial struggles whose histories run deep and the need to link the struggles with indigeneity, its poetics of relations, and connectedness. Therefore, decoloniality requires thinking and doing and paying attention to social and economic well-being of hitherto marginalized indigenous communities, while giving due recognition to their poetics of relationality, reciprocity, and conviviality. Drawing on the example of #RhodesMust Fall movement in South Africa, it raises difficult questions around ownership, agency, while pointing to cracks that this contemporary movement surfaced, in spite of its claim to decoloniality.
In the twentieth century, settler states have operated through science. At the same time, the field of American bioethics has safeguarded the moral authority of science. It has done so by upholding the settler logics of the sciences that it claimed to hold to account. This chapter explores how the imperial logic of American bioethics works – through its concepts, practices, and imperceptions. To do so, the chapter follows Carolyn Matthews, an everyday American with a rich “vernacular archive” and apt work experiences, across three medical sites and over three postwar decades. It tells Carolyn’s story in two registers – setting Carolyn’s work experience prior to 1974, when the US Congress passed laws for the treatment of human subjects, alongside Carolyn’s moral recounting of those work experiences in the late 1970s. Carolyn’s case offers insight into how the vocabulary and framework of modern American bioethics embeds a moral ontology organized around civic individualism and its safeguarding, as opposed to anticolonialism and its dismantling. The aim of this critique of bioethics through the Americas is to strengthen existing alliances for justice-based science and to inform anticolonial practices – in science, history, and transformative bioethics.
The Preface outlines the origins, motivations, history, and stakes of the project that led to the publication of this book, and it discusses the project’s relationship to scholarship in Indigenous Studies and engagement of key works in that field. It explores what an approach informed by Indigenous Studies can bring to the history of the human sciences, and how it might build upon existing scholarship on this topic.
This chapter seeks to trouble the understanding of how the category of the “human” is articulated in the theory and literature concerning race. It asks how one might view the category of the “human” differently when the focus is shifted from Blackness to Indigeneity. Departing from the premise that Black studies recurringly examines the question of which bodies are assigned a fully human status in a white-dominated society, the chapter posits that Indigenous studies and literatures interrogating the category of the “human” oftentimes ask a question that moves beyond dehumanization: namely, how the human is constructed or constituted in relation to other forms of life, other-than-human or more-than-human, including the land itself. Beyond literary articulation and theoretical interest, this question also has political import as it works to shift the parameters of what is thinkable as politics under the auspices of settler colonialism, as this chapter shows through the analysis of present-day Indigenous poetry by Deborah Miranda (Esselen/Chumash) and Natalie Diaz (Mojave).
The chronology in which a narrative concludes is itself an argument. Therefore, ending States-in-Waiting in 1966 – with the demise of the Nagaland Peace Mission, the dissolution of the World Peace Brigade, and the International Court of Justice’s refusal to make a judgment on the legitimacy of South African rule of South West Africa/Namibia – spells out a narrative of disillusionment: of disenchantment with the inability of the liberal internationalism of both the United Nations system of international order and of transnational civil society organizations to find peaceful solutions to decolonization that could effectively support national self-determination as a universal right.
The meteoric growth of the platform economy, its economic underpinnings as well as the accompanying human practices, have provoked academic debates as well as shone a light on its praxis. In this gig economy, the conditions of work have significantly changed from what used to be relatively stable markets, moored self- and work identities, with predictable technological cycles, established jobs in which individuals were ‘tied’ into roles and their organisations-of-employ, sufficient income during work and non-work periods, and with substantive protections through employment rights and social protection – also known as the standard employment relationship (SER). The gig economy has introduced efficiencies in engaging customer segments and supply chains, however its non-standard forms of employment (NSFE) which includes part-time, temporary, and zero-hour contracts and dependent self-employment, has brought with it: low pay, insufficient and variable hours, short-term contracts, and limited social protection rights (Rubery, Grimshaw, Keizer & Johnson, ). The majority of employees, migrants and foreigners, remain dependent on in-country structures to grant them SER rights – in many countries, though, they do not have the power to engage with those structures and no way to build on and improve their rights. The emerging story of the gig economy divides scholars, particularly in relation to the distribution of the economic and social benefits of this ‘new economy’, as well as international relations (IR) scholars in that race and indigeneity, and its intersections, have been missing in many of the debates. The challenge remains to upend the coloniality and neoliberal nature of work, and create a more democratic and inclusive labour market, in which more of the economic benefits are fairly distributed among those who participate in the gig economy and not just for indigenous citizens exclusively.