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A fictional covenant is established to inquire into humanity. Benjamin Franklin’s writings help define the tasks of the covenant. The fragmentation of the German nation is lamented. Frederick the Great’s correspondence with Voltaire is cited at length to provide insight into the problems facing a monarch confronted with German disunity, war, and the ideal of Humanity. The personal and political failures of Emperor Joseph II are the subject of discussion, introduce by Friedrich Gottlob Klopstock’s ode to Joseph. Contemporary German poetry is described in prophetic terms, but it fails to address contemporary political issues. The chapter closes with Friedrich Leopold Graf zu Stolberg’s Ode to the Crown Prince of Denmark.
The concept of Humanity is defined as the character of the human species, and it is distinguished from other similar concepts: humankind, humanness, human rights, human obligations, human dignity, and human mutual love. Humanity encompasses the spirit of general reason, and Marcus Aurelius is cited as a prime example of this spirit. The purpose of social and state institutions, of the arts and sciences is to humanize. This is borne out by Lucretius, Homer, Shaftesbury, Lessing, Diderot, and Swift, and citations of their works are given as testimony. Lessing’s Emilia Galotti is read as an example of how morality is realized in the theatre. The chapter closes with a poem by Ludwig Gleim as an example of human goodness.
In Germany at the close of the eighteenth century, Johann Gottfried Herder offered an important alternative to the philosophy of his teacher, Immanuel Kant. He held radical views on language, world history, the equality of all peoples, the role of climate in human life, and other topics that remain important to this day. He explored how these ideas might lead to radical intellectual practices and politics, providing an alternative to Eurocentric and racist ways of thinking. Writing in the wake of the French Revolution, Herder attempted to develop a political philosophy that would do justice to all humanity. His Letters for the Advancement of Humanity provides his mature statement on this project, available to English readers now for the first time in its entirety. An introduction situates the work within Herder's thought, and comprehensive notes provide access to its wider context.
Despite the widespread and creative use of heritage politics by a range of international actors, such as multilateral institutions and states, the field of International Relations (IR) has paid insufficient attention to the topic. To the extent that these politics have entered the field’s attention, it has been primarily through instances of highly publicized cultural heritage destruction during armed conflict. This special issue brings together eight research articles, as well as a framing introduction and a conclusion, with the aim of launching international heritage politics as an important IR research agenda. Moving beyond destruction to the productive politics of heritage, these contributions show the range of these politics from the construction of international cultural status to forging contemporary international alliances along themes of cultural and historical familiarity. Further, they show heritage politics at work in international institutions, from UNESCO to the ICC, in bilateral and multilateral relations, and as moving between international and domestic politics. In these broad deployments, heritage politics are attached to museum collections, travelling exhibits, archaeological digs, DNA tests, restitution demands, and debates on international land swaps.
This piece examines Gunn’s Superman through a historical perspective, placing it within the context of Superman’s appeal and place in American culture since his first appearance in 1938. I argue that Gunn draws on the work of numerous versions of Superman to craft a cinematic version that hews closely to creator Jerry Siegel’s naive New Deal liberalism while speaking to the need of the moment. In essence, the film’s appeal to “Truth, Justice, and the Human Way” replicates the ideologically slippery “American way” that Superman fought for after Pearl Harbor. Gunn’s spin is that we must invest hope in humanity, and the capacity for empathy and kindness, in the face of soulless amoral power. That such an appeal seems radical says something of the Trumpian moment and the hyper reliance on technology and the devaluing of humanities, which is to say what makes us human.
Throughout the third Critique Kant repeatedly stresses the importance of communication for human sociability, but he does not link communication to any particular view of language, making it uncertain how he thought of it and its importance for our cognition, rationality, and ethical sensibility. Against such uncertainty, my aim here is to show that there is at least one important form of linguistic expression – the poetic one – that is of paramount importance for Kant’s overall view of humanity’s progress towards the kingdom of ends. In developing my account, I start by explicating the importance of communication in Kant’s overall system, and I then focus on poetic expression, understood as a particular kind of communication. The emerging view of the centrality of the particular poetic expression generated by genius grounds Kant’s aesthetic cognitivism and brings to the fore the two main functions of poetic expression: the one related to development of human cognitive and moral capacities, and the one related to the role of poetry, and aesthetic judgments regarding poetry, in promoting our humanity.
Chapter 8 examines the instruments of the violin family in the cultural imagination, addressing why they captivated so many people, what associations became attached to both the instrument and the person who handled it, and the underlying social currents those associations suggest. Two main topics are treated: the veneration around the instruments of Stradivari and others from the Cremonese School and the concomitant idealization of old artisanal craftsmanship; and how contemporary writers and illustrators sought to understand the instruments’ allure for players, especially women. The discussion assesses the idealization of old instruments in the context of industrialized violin making and broader social anxieties about the modernizing world. Building on scholarship about the gendering and sexualization of stringed instruments, the chapter also considers depictions of people’s responses to them through the lens of sensory and sensual perception, arguing that the prevalence of such material reflects attempts to make sense of the violin family’s powerful hold on British society.
Chapter 1 introduces the instrument doctrine in Aquinas’s thought and explores its foundations in Scripture, focusing on Aquinas’s biblical commentaries. In his commentaries on Romans and 1 Corinthians, among others, Aquinas argues that the logic of scriptural teaching suggests that Christs’ humanity causes divine effects as instrument of the divinity, including our resurrection. The chapter shows how Aquinas interpreted the Scriptures as coherent with the Catholic tradition, especially the conciliar teaching on Christ in the early ecumenical councils. Aquinas thinks that the doctrine should be understood within the conceptual matrix of these early councils’ teaching on Christ.
The introduction states the biblical premise of the book’s argument. In Scripture, God saves human beings through the actions and sufferings of Christ in the flesh. St. Thomas Aquinas developed a theological account of the Incarnation that attempts to account for the way Scripture speaks, namely, that Christ’s humanity is the instrumental cause of salvation, or as the book calls it, "the instrument doctrine." The introduction then gives an overview of the book’s argument: this doctrine best accounts for how Jesus Christ saves Christians in virtue of his humanity. It outlines the argument of the seven following chapters.
This chapter is the heart of the book’s analysis of St. Thomas Aquinas’s teaching on Christ’s humanity as the instrument of the divinity. It explores the various details of Aquinas’s account, outlining it in five synthetic propositions. These propositions, taken together, form the instrument doctrine as St. Thomas conceives of it. Various ambiguities in Aquinas’s account are presented for consideration, and the chapter makes some judgments about how best to understand Aquinas in his mature works. The chapter concludes with a section on the relationship of language to reality in Christology and why reduplicative propositions, used in a standard mode of theological analysis in the thirteenth century, can clarify how to understand the instrument doctrine.
Chapter 3 is a close reading of several documents and transcripts of the Case of Duch of the Cambodia Tribunal. Interestingly, notions of humanity and inhumanity were used by several parties: prosecutors, attorneys for civil parties but also the defendant’s lawyer and Duch himself declared that the latter was dehumanised. In a second move, these findings will be put in a philosophical context by bringing them in conversation with the work of Hannah Arendt, thus showing the structure of dehumanisation and rehumanisation.
The introduction serves a threefold purpose. First, it aims to sensitise the reader to the all-pervasiveness of humanity in international criminal justice, more in particular in the discourse on the atrocity crimes. This part of the introduction argues that the concept of humanity provokes more questions than it is meant to solve. Second, it outlines the book’s methodology to the reader. Third, the introduction sketches the main argument of the book through an overview of the chapters.
World heritage has become UNESCO’s flagship programme, and it is a site of active state engagement. At the crux of that engagement is the prestigious World Heritage List. This engagement is regularly analysed as pursuits of national prestige. In this article, I advance a Bourdieusian analysis of world heritage as a field that generates international cultural prestige. I identify humanity as the field’s doxa that allows for a vertical separation and the generation of more-than-national cultural value. I show how states’ desire for this prestige jeopardised the field’s autonomy at a critical juncture in 2010 and analyse the field’s aftermath as involving fraught attempts by states to discursively reconstruct the field’s vertical and functional separations in the quest for international cultural prestige. This reconstruction involves nothing less than reinterpreting humanity as the community-of-states, pointing at once to humanity’s indispensability for more-than-national value and undermining its ability to generate that value.
In Law and Inhumanity, Luigi Corrias explores fundamental philosophical issues underlying the law and politics of atrocity crimes within international criminal justice. Focusing on understanding the experiences of victims and perpetrators, Corrias draws on numerous disciplines to construct his conceptual framework while also using several case studies to examine important issues including references to 'humanity' in the discourse on atrocity crimes; the need for a first-person plural perspective of a 'We' within international criminal justice; the experiences of dehumanization of both victims and perpetrators; the temporalities of suffering and justice; and the tension between individual criminal responsibility and structural violence.
In conclusion, Mike acknowledges the enormity of the challenges ahead and the potential struggles the future holds. He also shares what gives him hope and that effective action on climate and other key issues could be just around the corner. The chapter finishes with a checklist of what the reader can do on an individual level, in many areas of their lives, to be part of the change that is so urgently needed.
Readers should be aware that content about Kant’s racism may be difficult and distressing to read. In various texts, Kant makes statements alleging that Indigenous Americans have ‘no culture’ and Black people possess only the ‘culture of slaves’. These are straightforwardly repugnant commitments. In order to address the role of Kant’s account of ‘culture’ in his racism and provide additional support to Charles Mills’ ‘Untermensch (subhuman) interpretation’ of Kant’s views on race, this article situates Kant’s comments on ‘racialized cultures’ within his teleological account of human history. In his system, ‘culture’ refers to the possession of developed capacities to achieve the ends that one sets for oneself. He sees achievement of culture as part of the development of human beings into members of a socialized, moral kingdom. Given his understanding of culture, I argue that Kant’s remarks on the cultural limitations of persons of color commit him to the further claims that Indigenous Americans and Black people are incapable of setting their own ends and that these deficiencies are hereditary and permanent. For Kant, this has the consequence that these individuals do not possess genuine moral worth in his system, thus supporting Mills’ Untermensch interpretation of Kant’s views on race.
This chapter develops a critique of the “safe third country” concept, its legality, and its implications for understanding the nature and purpose of international refugee law. It does so, in part, on a different plane of analysis than has predominated the literature thus far. While most scholars have criticized the safe third country concept as undermining individual rights protection, this author argues that it is implicated in a preceding and more foundational harm: It deforms the possibility of democratic responsibility. We would do well to see the violations of refugee rights in question as more than privatized harms inflicted on an individual. They are relational and structural wrongs that concern the objective relationships guaranteed by domestic constitutional and administrative law. Perceiving this harm illuminates not only how the safe third country concept has corrupted international refugee law, but also why international human rights should be understood, more broadly, to protect the political agency of democratic citizens. This conclusion yields an important analytic shift, in which we see commitments to international human rights and humanitarian ideals to align, constructively and in new form, with the public integrity of democratic states.
This chapter critically evaluates, from the standpoint of the capability approach and the human development paradigm, the reliance on market-driven forces and mechanisms in the vaccine development and distribution pillar of ACT-A (COVAX), and the significance of complementary (or supplementary) developments such as the establishment of mRNA technology transfer hubs and the waiver of certain provisions of the international intellectual property (IP) regime. In hope of regaining some ground lost in global health equity, this chapter highlights the need to appropriately situate IP rights, not by maintaining the status quo but to advance deeper relationality in terms of the technological capability of health systems, particularly those of the "Global South."
Kant defined 'Right' (Recht) as the condition that obtains among a population of physically embodied persons capable of setting their own ends who live on a finite surface and therefore cannot avoid interaction with each other if each is as free to set their own ends as is consistent with the freedom of all to do the same. He regarded this rational idea, heir to the traditional idea of 'natural Right, as the test of the legitimacy of the laws of any actual state, or 'positive Right.' He clearly considered Right to be part of morality as a whole, namely the coercively enforceable part, as contrasted to Ethics, which is the non-coercively enforceable part of morality. Some have questioned whether Right is part of morality, but this Element shows how Kant's "Universal Principle of Right" follows straightforwardly from the foundational idea of Kant's moral philosophy as a whole.