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The modern study of the Peloponnesian War has suffered from a double blind spot. On the one hand, the traditional study of political history based on events has shown little interest in the great development in the study of ancient Greek economic, social and cultural history. On the other hand, social, economic and cultural history has shown little interest in the study of events like the Peloponnesian War. In this chapter I want to discuss an alternative framework that can incorporate the full wealth provided by Thucydides and bridge the gap between economic, social and cultural history based on static analysis and political history based on dry narrative. The key for accomplishing this task is the concept of entanglement. The Peloponnesian War can be understood as a history of three different kinds of entanglements. The first entanglement is that between different levels: local communities, micro-regions, macro-regions and the Panhellenic world. The second entanglement concerns a series of processes put into motion by certain key factors: violence, honour, wealth and political discourse. The third entanglement concerns the variety of actors involved in the Peloponnesian War: state apparatuses, alliances, empires, potentates, factions, networks, exiles, mobile humans, the enslaved.
The universe we live in is both strange and interesting. This strangeness comes about because, at the most fundamental level, the universe is governed by the laws of quantum mechanics. This is the most spectacularly accurate and powerful theory ever devised, one that has given us insights into many aspects of the world, from the structure of matter to the meaning of information. This textbook provides a comprehensive account of all things quantum. It starts by introducing the wavefunction and its interpretation as an ephemeral wave of complex probability, before delving into the mathematical formalism of quantum mechanics and exploring its diverse applications, from atomic physics and scattering, to quantum computing. Designed to be accessible, this volume is suitable for both students and researchers, beginning with the basics before progressing to more advanced topics.
Chien-Shiung Wu (1912–1997) is often referred to as “the Chinese Marie Curie” even though she conducted most of her research in the US. She is best known for her discovery of the non-conservation of parity for weakly interacting particles – a finding for which she is widely regarded as having been passed over for the 1957 Nobel Prize in Physics. Seven years earlier, though, in a one-page letter to Physical Review, Wu and her graduate student also quietly reported what has come to be understood as the first conclusive evidence of entangled photons. Twenty years later, as quantum foundations research emerged from shadow, Wu revisited her 1949 experiment with a more refined approach. Wu shared the new results with Stuart Freedman, a collaborator of John Clauser. Clauser et al. would rigorously critique Wu’s experiments through at least 1978. In 2022, the Nobel Committee honored Clauser, Alain Aspect, and Anton Zeilinger, each of whom had produced increasingly convincing proof of entanglement beginning in the 1970s. Wu’s foundational work from almost seventy years earlier, however, was not mentioned. This chapter aims to help bring Wu’s entangled photons back into the light.
Chapter 6 is the first chapter in the second part of the book, titled “Entangled Timescales of the Visual Arts.” Chapter 6 explains the meaning of this title by focusing on an important feature of complex systems, namely, that they consist of interacting processes on different time scales, from very short to very long. These processes are entangled, that is, they occur in continuous interaction and are interdependent. These entangled processes form the basis for important complexity features of the arts, such as self-organization, emergence, novelty and creativity, attractors, critical states, variability, and so on.
The study of the quantum–classical correspondence has been focused on the quantum measurement problem. However, most of the discussion in the preceding chapters is motivated by a broader question: Why do we perceive our quantum Universe as classical? Therefore, emergence of the classical phase space and Newtonian dynamics from the quantum Hilbert space must be addressed. Chapter 6 starts by re-deriving decoherence rate for non-local superpositions using the Wigner representation of quantum states. We then discuss the circumstances that, in some situations, make classical points a useful idealization of the quantum states of many-body systems. This classical structure of phase space emerges along with the (at least approximately reversible) Newtonian equations of motion. Approximate reversibility is a non-trivial desideratum given that the quantum evolution of the corresponding open system is typically irreversible. We show when such approximately reversible evolution is possible. We also discuss quantum counterparts of classically chaotic systems and show that, as a consequence of decoherence, their evolution tends to be fundamentally irreversible: They produce entropy at the rate determined by the Lyapunov exponents that characterize classical chaos. Thus, quantum decoherence provides a rigorous rationale for the approximations that led to Boltzmann’s H-theorem.
Chapter 5 explores the consequences of decoherence. We live in a Universe that is fundamentally quantum. Yet, our everyday world appears to be resolutely classical. The aim of Chapter 5 is to discuss how preferred classical states, and, more generally, classical physics, arise, as an excellent approximation, on a macroscopic level of a quantum Universe. We show why quantum theory results in the familiar “classical reality” in open quantum systems, that is, systems interacting with their environments. We shall see how and why, and to what extent, quantum theory accounts for our classical perceptions. We shall not complete this task here—a more detailed analysis of how the information is acquired by observers is needed for that, and this task will be taken up in Part III of the book. Moreover, Chapter 5 shows that not just Newtonian physics but also equilibrium thermodynamics follows from the same symmetries of entanglement that led to Born’s rule (in Chapter 3).
Chapter 3 describes how quantum entanglement leads to probabilities based on a symmetry, but—in contrast to subjective equal likelihood based solely on ignorance—it is an objective symmetry of known quantum states. Entanglement-assisted invariance (or envariance for short) relies on quantum correlations: One can know the quantum state of the whole and use this to quantify the resulting ignorance of the states of parts. Thus, quantum probability is, in effect, an objective consequence of the Heisenberg-like indeterminacy between global and local observables. This derivation of Born’s rule is based on the consistent subset of quantum postulates. It justifies statistical interpretation of reduced density matrices, an indispensable tool of decoherence theory. Hence, it gives one the mandate to explore—in Part II of this book—the fundamental implications of decoherence and its consequences using reduced density matrices and other customary tools.
Quantum theory provides another way to formalize uncertainty. Quantum probability theory can be used to model phenomena such as order effects which cannot be straightforwardly modeled within classical probability theory. Key concepts of quantum theory including superposition states, noncommutative operations, and entanglement provide new angles and explanations for some predictive phenomena.
We show that for two classical Brownian particles there exists an analog ofcontinuous-variable quantum entanglement: The common probability distributionof the two coordinates and the corresponding coarse-grained velocitiescannot be prepared via mixing of any factorized distributions referring tothe two particles in separate. This is possible for particles which interactedin the past, but do not interact in the present. Three factors are crucial forthe effect: (1) separation of time-scales of coordinate and momentum whichmotivates the definition of coarse-grained velocities; (2) the resulting uncertaintyrelations between the coordinate of the Brownian particle and thechange of its coarse-grained velocity; (3) the fact that the coarse-grained velocity,though pertaining to a single Brownian particle, is defined on a commoncontext of two particles. The Brownian entanglement is a consequenceof a coarse-grained description and disappears for a finer resolution of theBrownian motion. We discuss possibilities of its experimental realizations inexamples of macroscopic Brownian motion.
The famously controversial 1935 paper by Einstein, Podolsky, and Rosen (EPR) took aim at the heart of quantum mechanics. The paper provoked responses from leading theoretical physicists of the day, and brought entanglement and nonlocality to the forefront of discussion. This book looks back at when the EPR paper was published and explores those intense. conversations in print and in private correspondence. These offer significant insight into the minds of pioneering quantum physicists, including Bohr, Schrödinger and Einstein himself. Offering the most complete collection of sources to date – many published or translated here for the first time – this text brings a rich new context to this pivotal moment in physics history.
Schrödinger’s reaction to the EPR paper is less widely known than, say, Bohr’s, and yet our analysis shows that it fits rather nicely with contemporary concerns in foundations of quantum mechanics. Taking the lead both from the EPR paper and from Pauli’s remarks in their correspondence, Schrödinger shows that EPR’s locality considerations lead to the assignment of values to all quantum mechanical observables, but that under apparently mild assumptions this then leads to contradictions of the von Neumann type. This dilemma (as he explicitly calls it) is thus similar to more recent debates between nonlocality on the one hand and no-go results on the other (whether through violation of the Bell inequalities, the Kochen–Specker theorem, or what you will). We shall first look at Schrödinger’s fundamental worries in the years leading up to 1935. The chapter then discusses in detail the direct reaction by Schrödinger to EPR. It will, however, not exhaust our discussion of Schrödinger, who is a recurring character in the book, having poked and prodded his peers on EPR during the whole summer and autumn of 1935.
This is a revision of John Trimmer’s English translation of Schrödinger’s famous ‘cat paper’, originally published in three parts in Naturwissenschaften in 1935.
This chapter details not only the prehistory of EPR but also examines the structure and logic of the EPR paper – including Einstein’s own preferred version of the argument for incompleteness. We here attempt a seamless interweaving of the excellent extant literature with additional details that have emerged from our work and the recent work of others. Some examples of new aspects in this prehistory of EPR include evidence of a ‘proto’ photon-box thought experiment Einstein had developed in connection with his ill-starred collaboration with Emil Rupp in 1926. We also describe the potential importance to this prehistory of Einstein’s paper with Tolman and Podolsky and of Einstein’s seminar and discussions with Schrödinger in Berlin in the early 1930s.
This is a reprinting of Schrödinger’s famous pair of papers delivered at the Cambridge Philosophical Society in late 1935 and 1936, wherein he first coins the term ‘entanglement’ to describe interacting quantum systems. The first paper (1935) is given here in full; section 4 of the second paper (1936) is reprinted as an appendix.
The famously controversial 1935 paper by Einstein, Podolsky, and Rosen (EPR) took aim at the heart of the flourishing field of quantum mechanics. The paper provoked responses from the leading theoretical physicists of the day, and brought entanglement and nonlocality to the forefront of discussion. This book looks back at the seminal year in which the EPR paper was published and explores the intense debate it unleashed. These conversations in print and in private correspondence offer significant insight into the minds of pioneering quantum physicists including Niels Bohr, Erwin Schrödinger and Albert Einstein himself. Offering the most complete collection of sources to date – many published or translated here for the first time – this text brings a rich new context to this pivotal moment in physics history. Both researchers and students in the history and philosophy of science, and enthusiasts alike, will find this book illuminating.
As Stephen Dedalus walks upon Sandymount Strand in Ulysses, he thinks, “the land a maze of dark cunning nets … Ringsend: wigwams of brown steersman and master mariners. Human shells” (3.154–57). This thought evokes Ireland’s complicated position as an island nation and its entanglements with fellow colonized peoples. For Ireland’s cultural mariners of the twentieth century, navigating such currents requires a knowledge not only of sea but also of sky. In the “Wandering Rocks” episode of Ulysses, a chapter where the city of Dublin is the prominent star, the sections are separated by a series of three asterisks also known as a dinkus. As a writer for the Paris Review explains, a dinkus is “used as a section break in a text. It’s the flatlining of an asterism (⁂), which in literature is a pyramid of three asterisks and in astronomy is a cluster of stars.” Asterisms serve as a striking intervention into the textual groundswells of Joyce’s Ulysses that ultimately connect to Derek Walcott’s own navigations in Omeros as a means of paternal inheritance and transatlantic affiliation.
Within Holocaust studies, there has been an increasingly uncritical acceptance that by engaging with social media, Holocaust memory has shifted from the ‘era of the witness’ to the ‘era of the user’ (Hogervorst 2020). This paper starts by problematising this proposition. This claim to a paradigmatic shift implies that (1) the user somehow replaces the witness as an authority of memory, which neglects the wealth of digital recordings of witnesses now circulating in digital spaces and (2) agency online is solely human-centric, a position that ignores the complex negotiations between corporations, individuals, and computational logics that shape our digital experiences. This article proposes instead that we take a posthumanist approach to understanding Holocaust memory on, and with, social media. Adapting Barad's (2007) work on entanglement to memory studies, we analyse two case studies on TikTok: the #WeRemember campaign and the docuseries How To: Never Forget to demonstrate: (1) the usefulness of reading Holocaust memory on social media through the lens of entanglement which offers a methodology that accounts for the complex network of human and non-human actants involved in the production of this phenomenon which are simultaneously being shaped by it. (2) That professional memory institutions and organisations are increasingly acknowledging the use of social media for the sake of Holocaust memory. Nevertheless, we observe that in practice the significance of technical actancy is still undervalued in this context.
The sphinx is a good test case illustrating the complexities of studying Greek hybrids. The pronounced sexuality of modern sphinxes (notably those of Moreau and Ingres) sets them apart from Greek examples, which themselves are very different from the sphinxes of Egypt and the Ancient Near East. Common to all is the blurring of human/animal boundaries, a phenomenon going back to the Palaeolithic. Modern comparisons from New Guinea and Africa confirm that there is an animal dimension at the heart of being human. Hybrids, born of this mixing, are polymorphous, polysemic and polyvalent. Around the hybrid there lurks a host of questions: what bits have been mixed, how exactly are the parts combined, and is the mixture taxonomically fitting or anomalous? Each of these questions shapes our response to a hybrid, affirming the power of hybridity to challenge (or affirm) categories and taxonomies. And since taxonomies are the proof of our comprehending the world by classifying phenomena, hybridity represents a culture’s uneasiness with the limits of its epistemology. If such things exist, even if only in our stories and imagination, how certain is certainty?