The twentieth century was a period of radical transformation in the materials, resources and technologies available for music. Pierre Boulez was at the forefront of these developments, yet at the same time he displayed a curious ambivalence towards them. This chapter shows how, as a powerful cultural figure committed to the project of modernity, Boulez embraced the technologies of the new age, particularly through his guiding of the programme of activities undertaken at the music/scientific research centre IRCAM, which he helped to found in Paris in the 1970s. It also shows how, in his own compositional work, he displayed an ambivalent and musically conservative attitude towards new technological developments, leaving the details to others, while maintaining a quite traditional view of musical composition and performance. The chapter explores the conceptual, historical and cultural contexts for Boulez’s engagement with technology, and examines some of the works he composed using the technological resources developed at IRCAM.

This chapter considers the promises and potential pitfalls of the digital era for Latino/a/@/x/e literature. It begins with an exploration of the multiple iterations of the virtual project/website El Puerto Rican Embassy over the last twenty-nine years as a way to think with evolving attitudes about Puerto Rican nationalism and its relationship to Nuyorican identity. The conversation then shifts to think about the potential dangers of relying on digital archives as safe repositories for Latino/a/@/x/e history. After all, with these new forms of digital power, come new responsibilities, including the need for a steady stream of resources. As exciting as the possibilities for redefining Latin@s online may be, the precarity that Adela Vázquez, Jaime Cortez, and Pato Hebert’s queer, Cuban comic Sexile (2004) currently faces makes clear that the expectation that cyberspace serve as a catchall for the margins may foster a false sense of security that risks reproducing new forms of digital exile.

A new economic model begins to emerge. After the turn of the century, the worldview made of free markets, globalization, and liberal democracy met multiple crises. While the political pendulum swings back toward government control, economists and independent agencies should promote balance, mitigating the tendency toward the extremes of public opinions divided into opposite camps. The tendency toward a stronger presence of the government in the economy must be controlled; the perimeter of open and competitive markets should not be restricted to the point at which they lose their creative force. In this book we reflect on these developments through the prism of one of the most ancient and fundamental societal institutions: money. Money is a mirror of society; it reveals the drivers, contradictions, strengths, weaknesses, and failures of society at large. We build on two convictions. The first is the value of history, to tell us what money is, what purpose should it serve, and how best it should be designed and governed. The second is that the fundamental purpose and requirements of money do not change through time or space. What changes are the manifestations of money. Technology is part of this process and should be used to serve money’s purposes better.

This chapter offers an overview of the arguments and key contributions of the book. The book has shown that while clientelism and resource constraints have rationed the provision of public goods and social benefits, across the past century, Indians have engaged in deliberate debates about what an Indian ‘welfare state’ should look like. The ideas and principles on which earlier policies were conceived have remained influential. India’s welfare regime today is shaped by decisions taken and resources allocated in the past. Even moments of expected rupture such as the onset of economic reforms in 1991 - or, as this chapter goes on to show, the 2014 Lok Sabha elections which brought the Narendra Modi-led BJP to power on a platform promising an end to a culture of ‘entitlements’ - have seen underlying stability in the context of India’s welfare regime. This said, there have been substantial areas of divergence over time in both the approach to social policy implementation and the philosophy of citizenship that underpins welfare commitments. The chapter ends by looking ahead to the future of welfare, underlining the continued significance of state-level policy innovation.

This chapter documents our experiences of pivoting research on sexual and gender minority youth towards an online protocol using digital methods. Digital diaries presented an opportunity to conduct virtual longitudinal qualitative research on how youth describe their experiences of living through the COVID-19 pandemic in Vancouver, Canada. Our digital diary process, supplemented with remote interviews, allowed us to capture shifting health-related patterns and trends, establish capacity to identify and explore unanticipated areas of inquiry, and evaluate participants’ impressions of the method itself. While going digital allowed us to overcome some immediate constraints to participation, it also introduced new uncertainties, including equity concerns and issues around consistent, secure and safe digital access for research participants. We describe how features of young people’s lives remain important factors associated with their ability to participate in digital and remote research. We offer solutions to the challenges and conclude that to counteract the inequities arising from the shift to digital methods, we need flexible, adaptive and population-tailored digital and remote approaches to data collection.

This chapter draws on a mixed-method project that explored retail market encounters in Edinburgh during the pandemic. It borrows from Walter Benjamin’s methodological and conceptual approach in the arcades project to explore how online settings, notably Instagram, function as market spaces. Arcades, for Benjamin, work by using their architecture to create atmospheres conducive to specific actions – lingering, browsing and purchasing. Arcades and Instagram share material and technical features that are orchestrated to shape action and in this both parallel the functions of ‘market devices’. The significance of space, as an element in ‘the equipment and devices’ which give market ‘action a shape’ has long been acknowledged in market studies (Callon 1998: 22) but how retail space works to devise action has had little attention. In describing how Instagram provided ‘digital-affective premises’ during the pandemic we advance three broader propositions. First, that market spaces are necessarily market devices because they are designed to produce action. Second, that while scholarship has exposed the material and technical elements of market devices, it had said much less about their sentimental or affective elements. Finally, that market spaces showcase how technical-sentimental, digital-affective elements interact in giving action its shape.

In this chapter, I show how the urge to monumentalize the book-bound novel in the face of cultural and technological transformations inspires a range of strategies to make literature anew. Starting from contested notions of the “end of the book” and then examining several “renaissances,” I explore the resilience of paper-based literature in the era of its foretold death. First, I examine how comparative literary studies has responded to the shift from analog to digital by developing new frameworks and critical tools. Then, I zoom in on recent innovations in, and reinventions of, analogue literary practices, in book art and book design as well as literary fiction. I end with a reflection on a specific form of bookishness that emphasizes the novel’s size and scale, and thus reinvents it as monumental. On all these levels, we will see, the digital has brought the book, and the novel as the literary art form bound by the book, into sharper focus.

This chapter treats the design considerations for dictionaries as printed books, the transition from print to digital formats in the thirty years around the turn of the twenty-first century, and the considerations for digital and online formats. Section 1: Customer-focused decisions about format, size, and extent of physical dictionaries; the mapping of book and page components of printed dictionaries; the mutual influence of editorial and design choices; and the advent of digital composition and production for printed formats. Section 2: Factors driving the choice of digital versus print formats for changing customer needs; functional challenges of converting printed dictionaries to digital; design considerations for online interfaces, including both technical performance and user experience.