In 2023, Little Central America, 1984: A Sanctuary Then and Now by Elia Arce and Rubén Martínez premiered in Washington, DC. The play illuminates a historical moment known as the Sanctuary Movement, whereby religious institutions, nonprofit organizations, activists, and everyday people sought to create a safe place for Central Americans fleeing state-sponsored and state-condoned violence. The play was a community-based production, relying on local Latinxs—namely, Central Americans—and African Americans to bring it to life. Little Central America demonstrated how community-based theatre could (re)create sanctuary, challenge racial ideologies about Central Americans and Latinxs, and value diverse Central American lives on and off stage. Drawing on my experiences as a field producer, I examine how community-based theatre is a useful tool for Central American and Latinx communities. Ultimately, I argue that community-based theatre is necessary for enacting, processing, and understanding Central Americans’ converging and diverging pasts, presents, and futures.
