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Cited by
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This article has been cited by the following publications. This list is generated based on data provided by Crossref.

Lenette, Caroline and Sunderland, Naomi 2016. “Will there be music for us?” Mapping the health and well-being potential of participatory music practice with asylum seekers and refugees across contexts of conflict and refuge. Arts & Health, Vol. 8, Issue. 1, p. 32.
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Forkuor, John B Ofori-Dua, Kwadwo Forkuor, David and Obeng, Bernard 2019. Culturally sensitive social work practice: Lessons from social work practitioners and educators in Ghana. Qualitative Social Work, Vol. 18, Issue. 5, p. 852.
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Soewarlan, Santosa 2019. Re-creating rural performing arts for tourism in Indonesia. Journal of Tourism and Cultural Change, Vol. 17, Issue. 5, p. 577.
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Sarma, Simona and Monteiro, Anjali 2019. Cultural Production of ‘Invisible Privilege’: Critical Reflections on the Figure of Pratima Barua Pandey in Goalpariya Folk Music of Assam. Journal of Creative Communications, Vol. 14, Issue. 2, p. 147.
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Gunara, Sandie Setiawan Susanto, Toni and Cipta, Febbry 2022. The authenticity of music culture of Kampung Naga and Cikondang Indigenous people, West Java, Indonesia. AlterNative: An International Journal of Indigenous Peoples, Vol. 18, Issue. 1, p. 26.
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Chiselita, Vasile 2023. The problem of authenticity in the repertoire of the “Folclor” orchestra: institutional policies of the Moldovan Broadcasting, and reflections in the Soviet press from the 1970s-1980s. Arta, Vol. 32, Issue. 2(AAV), p. 20.
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Tradition, authenticity and context: the case for a dynamic approach
  • Volume 23, Issue 3
  • Huib Schippers (a1)
  • DOI: https://doi.org/10.1017/S026505170600708X
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Tradition, authenticity and context: the case for a dynamic approach
  • Volume 23, Issue 3
  • Huib Schippers (a1)
  • DOI: https://doi.org/10.1017/S026505170600708X
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Tradition, authenticity and context: the case for a dynamic approach
  • Volume 23, Issue 3
  • Huib Schippers (a1)
  • DOI: https://doi.org/10.1017/S026505170600708X
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