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  3. Menander, New Comedy and the Visual
  • Cited by 11
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    • Publisher:
      Cambridge University Press
      Publication date:
      November 2014
      November 2014
      ISBN:
      9781107705890
      9781107068438
      9781107645813
      DOI:
      https://doi.org/10.1017/CBO9781107705890
      Dimensions:
      (216 x 138 mm)
      Weight & Pages:
      0.53kg, 334 Pages
      Dimensions:
      (216 x 140 mm)
      Weight & Pages:
      0.45kg, 336 Pages
      • Subjects:
      Classical Theatre, Classical Studies, Classical Studies (General), Classical Literature, Drama, Theatre, Performance Studies
      Series:
      Cambridge Classical Studies
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    Subjects:
    Classical Theatre, Classical Studies, Classical Studies (General), Classical Literature, Drama, Theatre, Performance Studies
    Series:
    Cambridge Classical Studies
    Information

    Book description

    This book argues that New Comedy has a far richer performance texture than has previously been recognised. Offering close readings of all the major plays of Menander, it shows how intertextuality - the sustained dialogue of New Comedy performance with the diverse ideological, philosophical, literary and theatrical discourses of contemporary polis culture - is crucial in creating semantic depth and thus offsetting the impression that the plots are simplistic love stories with no political or ideological resonances. It also explores how the visual aspect of the plays ('opsis') is just as important as any verbal means of signification - a phenomenon termed 'intervisuality', examining in particular depth the ways in which the mask can infuse various systems of reference into the play. Masks like the panchrēstos neaniskos (the 'all-perfect youth'), for example, are now full of meaning; thus, with their ideologically marked physiognomies, they can be strong instigators of literary and cultural allusion.

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