Book contents
- My Own Past
- Afro-Latin America
- My Own Past
- Copyright page
- Dedication
- Contents
- Plates
- Figures
- Tables
- Preface
- Part I Artists of African Descent and Cuban Art through the 1930s
- Part II The Art of Afro-Cubans since the 1930s: Statements on the Social Condition and Cultural Heritage
- Part III Research Paths: Cuba and Afro-Latin America
- Bibliography
- Index
- Plate Section
Preface
Published online by Cambridge University Press: 30 September 2025
Book contents
- My Own Past
- Afro-Latin America
- My Own Past
- Copyright page
- Dedication
- Contents
- Plates
- Figures
- Tables
- Preface
- Part I Artists of African Descent and Cuban Art through the 1930s
- Part II The Art of Afro-Cubans since the 1930s: Statements on the Social Condition and Cultural Heritage
- Part III Research Paths: Cuba and Afro-Latin America
- Bibliography
- Index
- Plate Section
Summary
The Preface introduces some of the key questions and analytical points of the book, its sources, and some of its contributions. It details how the book was inspired by an art exhibition that the authors co-organized with art historian Bárbaro Martínez-Ruiz and the process through which some of the questions posed by the exhibition became a book project. It discusses how it was frequently difficult to assess whether an artist was racialized, at least in some social contexts, as a person of African descent, and the author’s strategies to handle this question.
Keywords
Information
- Type
- Chapter
- Information
- My Own PastAfrodescendant Contributions to Cuban Art, pp. xxv - xxviiiPublisher: Cambridge University PressPrint publication year: 2025
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